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Nelson Goodman
A01=Daniel Cohnitz
A01=Marcus Rossberg
analytic philosophy
analytic philosophy of art
Author_Daniel Cohnitz
Author_Marcus Rossberg
Carnap's Aufbau
Carnap's System
Carnap’s Aufbau
Carnap’s System
Category=QD
defi
Defi Niendum
Defi Niens
Disposition Predicates
Epistemic Accessibility
epistemology theory
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
exemplifi
Exemplifi Cation
False Versions
Fi Nite Differentiation
Fi Rst Draft
Fi Ve
Goodman's Nominalism
Goodman's Philosophy
Goodman's Riddle
Goodman's View
Goodman's Work
goodmans
Goodman’s Nominalism
Goodman’s Philosophy
Goodman’s Riddle
Goodman’s View
Goodman’s Work
induction paradox
Manifest Predicates
Mereological Sums
metaphysical systems
niendum
niens
Nominal Defi Nitions
Permanent Acceptability
philosophy
philosophy of science
Soundness Proofs
Tailor's Swatch
Tailor’s Swatch
theory of symbols
True Versions
version
Vice Versa
views
work
world
World Versions
Product details
- ISBN 9781844650378
- Weight: 640g
- Dimensions: 138 x 216mm
- Publication Date: 17 Feb 2006
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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Nelson Goodman's distinctive contributions to such diverse areas of philosophy as epistemology, metaphysics, semiotics, logic, philosophy of language, science, and art, and his engagement with the work of Rudolf Carnap and other prominent figures in the analytic tradition, places him at the forefront of the history and development of Anglo-American philosophy in the twentieth century. Although recently the significance of Goodman's work has not been sufficiently appreciated, Daniel Cohnitz and Marcus Rossberg show that much of it is of relevance for contemporary philosophy. This book, the first comprehensive introduction to Goodman's philosophy, examines and assesses his contribution. The book begins with Goodman's New Riddle of Induction, the so-called "Grue"-paradox, which exemplifies his way of dealing with philosophical problems, and thus provides an introduction to Goodman's thought. It then covers his central work, The Structure of Appearance, as well as his philosophy of art, philosophy of language, his conventionalism, constructionalism and relativism. The technical apparatus that is required to understand Goodman's work, in particular his mereology and theory of symbols, is introduced in an accessible manner in the course of the book. The final chapter locates Goodman's position in contemporary debates and discusses recent criticisms.
Daniel Cohnitz, Marcus Rossberg
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