Nelson Goodman

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A01=Daniel Cohnitz
A01=Marcus Rossberg
analytic philosophy
analytic philosophy of art
Author_Daniel Cohnitz
Author_Marcus Rossberg
Carnap's Aufbau
Carnap's System
Carnap’s Aufbau
Carnap’s System
Category=QD
defi
Defi Niendum
Defi Niens
Disposition Predicates
Epistemic Accessibility
epistemology theory
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
exemplifi
Exemplifi Cation
False Versions
Fi Nite Differentiation
Fi Rst Draft
Fi Ve
Goodman's Nominalism
Goodman's Philosophy
Goodman's Riddle
Goodman's View
Goodman's Work
goodmans
Goodman’s Nominalism
Goodman’s Philosophy
Goodman’s Riddle
Goodman’s View
Goodman’s Work
induction paradox
Manifest Predicates
Mereological Sums
metaphysical systems
niendum
niens
Nominal Defi Nitions
Permanent Acceptability
philosophy
philosophy of science
Soundness Proofs
Tailor's Swatch
Tailor’s Swatch
theory of symbols
True Versions
version
Vice Versa
views
work
world
World Versions

Product details

  • ISBN 9781844650361
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 21 Feb 2006
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Nelson Goodman's acceptance and critique of certain methods and tenets of positivism, his defence of nominalism and phenomenalism, his formulation of a new riddle of induction, his work on notational systems, and his analysis of the arts place him at the forefront of the history and development of American philosophy in the twentieth-century. However, outside of America, Goodman has been a rather neglected figure. In this first book-length introduction to his work Cohnitz and Rossberg assess Goodman's lasting contribution to philosophy and show that although some of his views may be now considered unfashionable or unorthodox, there is much in Goodman's work that is of significance today. The book begins with the "grue"-paradox, which exemplifies Goodman's way of dealing with philosophical problems. After this, the unifying features of Goodman's philosophy are presented - his constructivism, conventionalism and relativism - followed by an discussion of his central work, The Structure of Appearance and its significance in the analytic tradition. The following chapters present the technical apparatus that underlies his philosophy, his mereology and semiotics, which provides the background for discussion of Goodman's aesthetics. The final chapter examines in greater depth the presuppositions underlying his philosophy.
Daniel Cohnitz, Marcus Rossberg