Nelson Rodrigues: Selected Plays

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A01=Nelson Rodrigues
Age Group_Uncategorized
Age Group_Uncategorized
All Nudity Shall be Punished
Author_Nelson Rodrigues
automatic-update
B06=Almiro Andrade
B06=Daniel Hahn
B06=Susannah Finzi
Black Angel
Brazil
Category1=Non-Fiction
Category=DD
Category=DSG
Category=JFSL4
COP=United Kingdom
Delivery_Pre-order
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Family Album
Format=BC
Format_Paperback
Language_English
PA=Temporarily unavailable
Price_€20 to €50
PS=Active
Rio de Janeiro
softlaunch
The Wedding Dress

Product details

  • ISBN 9781786827159
  • Format: Paperback
  • Weight: 600g
  • Dimensions: 124 x 196mm
  • Publication Date: 01 Jul 2019
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Nelson Falcão Rodrigues (August 23, 1912 – December 21, 1980) was a Brazilian playwright, journalist and novelist. In 1943, he helped usher in a new era in Brazilian theater with his play Vestido de Noiva (Wedding Dress), considered revolutionary for the complex exploration of its characters' psychology and its use of colloquial dialogue. He went on to write many other seminal plays and today is widely regarded as Brazil's greatest playwright.

This volume contains brand-new translations of the plays Wedding Dress; Waltz No. 6; All Nudity Will Punished; Forgive Me for Your Betrayal; Family Portraits; Black Angel and Seven Little Kitties.

Nelson Falcao Rodrigues (August 23, 1912 - December 21, 1980) was a Brazilian playwright, journalist and novelist who became the progenitor of the modern Brazilian theatre A deeply controversial writer, today he is widely regarded as Brazil's greatest playwright. His astonishing career over four decades addressed burning taboo issues in Brazilian society - race, sexual repression, incest, crime and murder, causing Rodrigues to refer to his work as 'theatre of the unpleasant'. Censored for their shocking material, many of his plays remained unperformed for decades. Restlessly inventive, he was the voice of Rio's poor, its lower-middle class, its ignored, before turning his attention to mythical themes.

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