Networked Image in Post-Digital Culture

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AI-driven visual culture research
algorithmic aesthetics
Algorithmic Surveillance
Algorithms
Amateur Snapshot
Annotation Environment
Category=AJ
Category=JBCT
Computer Vision
Computer Vision Lab
Computer Vision Researchers
Computing
Culture
Digital Heritage
digital humanities
Digital media
Digital Preservation
Epistemic Configuration
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Hito Steyerl
image data analysis
Image Ensemble
Infrastructural Inversion
London South Bank University
Machine Vision
Martin Lister
Net Art
Networked Image
online image curation
Photo-sharing Community
Photo-sharing Platforms
Photography
Puig De La Bellacasa
social media
socio-technical networks
Soft Subject
Software Ecosystems
Street View
Value
Van Saaze
Video Conferencing Platforms
Vision
Visual Culture
visual literacy studies
VR Artist
Ways of Seeing

Product details

  • ISBN 9780367550585
  • Weight: 1060g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Jul 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This collection examines how the networked image establishes new social practices for the user and presents new challenges for cultural practitioners engaged in making, curating, teaching, exhibiting, archiving and preserving born-digital objects.

The mode of vision and imaging, established through photography over the previous two centuries, has and continues to be radically reconfigured by a hybrid of algorithms, computing, programmed capture and display devices, and an array of online platforms. The image under these new conditions is filtered, fluid, fleeting, permeable, mobile and distributed and is changing our ways of seeing. The chapters in this volume are the outcome of research conducted at the Centre for the Study of the Networked Image (CSNI) and its collaboration with The Photographers’ Gallery over the last ten years. The book's contributors investigate radical changes in the meanings and values of hybridised media in socio-technical networks and speak to the creeping automation of culture through applications of AI, social media platforms and the financialisation of data.

This interdisciplinary collection draws upon media and cultural studies, art history, art practice, photographic theory, user design, animation, museology and computer science as a way of making sense of the specific cultural consequences of the rapid succession of changes in image technologies and to bring the story up to date. It will be of particular interest to scholars and students of visual culture, media studies and photography.

Andrew Dewdney is Co-director and Co-founder of the Centre for the Study of the Networked Image, and Professor of Educational Media at London South Bank University. He has written and lectured widely on new media and museology. His most recent book Forget Photography was published in 2021.

Katrina Sluis is Associate Professor and Head of Photography & Media Arts at the School of Art & Design, Australian National University. She is a founding Co-director of the Centre for the Study of the Networked Image and was previously Senior Curator (Digital Programmes) at The Photographers’ Gallery, London.