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A01=Arnold Berleant
A01=Colin Martindale
A01=Martin Skov
A01=Oshin Vartanian
Aesthetic Emotion
Aesthetic Experience
Aesthetic Preference
Aesthetic Processing
Aesthetic Trajectory
Anjan Chatterjee
Anterior Cingulate
Antje von Graevenitz
Art Behavior
art perception mechanisms
Auditory Cortex
Author_Arnold Berleant
Author_Colin Martindale
Author_Martin Skov
Author_Oshin Vartanian
Camilo Jose Cela-Conde
Category=JMAQ
Category=QDTN
Cognitive Mastering
conscious pleasure in art
Core Affect
cortex
Dahlia W. Zaidel
Dark Walk
David S. Miall
Ellen Dissanayake
Enric Munar
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Eric Nicolas
Evolutionary Aesthetics
FTD
Gisele Marty
High Fluency
High Processing Fluency
interdisciplinary aesthetic brain research
literary processing neuroscience
Main Character
Marcos Nadal
Mari Tervaniemi
Medial OFC
Miquel Cap
music cognition studies
Neuroanatomical Underpinning
Nicholas Wade
Orbital Frontal Cortex
Orbitofrontal Cortex
Oshin Vartanian
Piotr Winkielman
Pre-motor Cortex
Processing Fluency
psychological aesthetics
Steven Brown
Thomas Jacobsen
Torben Grodal
Troy Chenier
Ventromedial Prefrontal Cortex
visual representation theory
W. Tecumseh Fitch

Product details

  • ISBN 9780415783712
  • Weight: 570g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Mar 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The beginning of psychological aesthetics is normally traced back to the publication of Gustav Theodor Fechner's seminal book "Vorschule der Aesthetik" in 1876. Following in the footsteps of this rich tradition, editors Martin Skov and Oshin Vartanian view neuroaesthetics - the emerging field of inquiry concerned with uncovering the ways in which aesthetic behavior is caused by brain processes - as a natural extension of Fechner's 'empirical spirit' to understand the link between the objective and subjective worlds inherent in aesthetic experience. The editors had two specific aims for this book. The first was to highlight the diversity of approaches that are underway under the banner of neuroaesthetics.Currently, this topic is being investigated from experimental, evolutionary, neuropsychological, and neuroimaging perspectives to tackle problems in the visual arts, literature, music, and film. Its quintessentially interdisciplinary nature has functioned as a breeding ground for generating and testing hypotheses in multiple domains. The second goal was more integrative and involved distilling some of the key features common to these diverse strands of work. The book presents a possible framework for neuroaesthetics by highlighting what the contributors consider to be its defining features and offering a working definition of neuroaesthetics that captures these features. "Neuroaesthetics" will provide an empirical and theoretical framework to motivate further work in this area. Ultimately, the hope is that puzzles in aesthetics can be solved through insights from biology, but that the contribution can be truly bidirectional.

Skov, Martin; Vartanian, Oshin; Martindale, Colin; Berleant, Arnold

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