Neuroarthistory of The Painters of Modern Life

Regular price €192.20
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Lauren S. Weingarden
affective neuroscience
art history
Author_Lauren S. Weingarden
Baudelaire
brain activity
Category=AB
Category=AFC
Category=AGA
Category=GT
Category=JBSD
Category=JMM
Category=JMQ
Category=JMR
Category=NHD
Category=NHTK
Category=PDX
Category=PSAN
cities
cognitive poetics
cognitive response
Edgar Degas
Edouard Manet
embodied aesthetic response in art
emotive response
empirical aesthetics
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
eq_science
eq_society-politics
France
Georges-Eugene Haussmann
Gustave Caillebotte
Haussmannization
images
irony
language
literary studies
modernity
neuroaesthetics
neuroarthistory
neurology
neuroscience
nineteenth century
painting
Paris
parody
photographic analysis
psychology
Second Empire urbanization
transformation
urban life
urban studies
visual perception research

Product details

  • ISBN 9781138337503
  • Weight: 720g
  • Dimensions: 174 x 246mm
  • Publication Date: 23 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Using a transdisciplinary method combining art history, literary studies, and neuroaesthetics, this book examines the modern urban experience of nineteenth-century Paris through language and images of fragmentation and transformation.

The volume includes new empirical research conducted in collaboration with neuropsychologists, which tracks present-day viewers’ physical and psychological responses to nineteenth-century painting and photography, thus providing data to model an experiential aesthetic for Baudelairean modernity. Weingarden reframes our understanding of Haussmannization, the demolition and rebuilding of the city into a modern metropolis, as witnessed by nineteenth-century Parisians, while also shedding new light on writers’ responses, particularly those of Charles Baudelaire, and of visual artists like Édouard Manet, who contemplated and theorized this modernity and its impact. Using a unique word-and-image methodology, the author illustrates the development of ironic parody as a pictorial device that represents the rupture, fragmentation, and transmutation experienced by the artists and their viewers, revealing how art historians can utilize nineteenth-century neuropsychological practices and current neuroscience methods to reconstruct the lived, embodied experiences of nineteenth-century Paris.

This book will be of interest to students and scholars working in art history, modern art, urban studies and neuropsychology.

Lauren S. Weingarden is Professor Emerita of Art History at Florida State University.

More from this author