Neurofilmology of the Moving Image

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A01=Adriano D'Aloia
Author_Adriano D'Aloia
Category=ATF
Category=JBCT
Category=NH
cinematic empathy
cognitive neuroscience
contemporary cinema
embodied cognition
embodied spectator experience
embodiment
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film experience
film theory research
neurofilmology
perceptual psychology
philosophy of mind

Product details

  • ISBN 9781041183518
  • Weight: 470g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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A walk suspended in mid-air, a fall at breakneck speed towards a fatal impact with the ground, an upside-down flip into space, the drift of an astronaut in the void… Analysing a wide range of films, this book brings to light a series of recurrent aesthetic motifs through which contemporary cinema destabilizes and then restores the spectator’s sense of equilibrium. The 'tensive motifs' of acrobatics, fall, impact, overturning, and drift reflect our fears and dreams and offer embodied forms of transcendence of the limits of our human condition along with an awareness of their insurmountable nature. Adopting the approach of 'Neurofilmology'—an interdisciplinary method that puts filmology, perceptual psychology, philosophy of mind, and cognitive neuroscience into dialogue—this book implements the paradigm of embodied cognition in a new ecological epistemology of the moving-image experience.

Adriano D’Aloia is an Associate Professor of Film and Media studies at the University of Bergamo, Italy.

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