New Approaches to Islam in Film

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A Girl Walks Home Alone at Night
Amira and Sam
Bicycle Thieves
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Cecil B. DeMille
Cinema
Country's EU Membership
Country’s EU Membership
Crusaders
cultural diversity screen
East is East
Egyptian Film Industry
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Film
Film Studies
Five Fingers
gender and religion media
German Public Discourse
Global Cinema
Helma Sanders Brahms
Hideous Kinky
Holy Men
intersectionality in Muslim film analysis
Iranian Cinema
Islam
Islamic morals
Islamic theology
Kristian Petersen
Main Characters
Majid Majidi
Media
Mehrjui
Middle East
Moustapha Akkad
Muslim
Muslim representation cinema
Muslim World
National security
Nikos Kazantzakis
Nizamuddin Auliya
Ousmane Sembene
Postrevolutionary Iranian Cinema
Puerto Rican
Puerto Rican Identity
Reframing Muslims
Regional cinemas
Religion and media
religious identity film
Short Sharp Shock
Sociology of Religion
South Asian Muslim
Sufi Path
Terrorism
Three Kings
Torture Porn
transnational film studies
Vice Versa
visual culture Islam
Wali Songo
West Germany
Young Men

Product details

  • ISBN 9780367723408
  • Weight: 360g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Jan 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Many global film industries fail in expanding the role of Muslims on screen. Too often they produce a dichotomy between "good" and "bad" Muslims, limiting the narrative domain to issues of national security, war, and terrorism. Naturally, much of the previous scholarship on Muslims in film focused on stereotypes and the politics of representation. This collection of essays, from an international panel of contributors, significantly expands the boundaries of discussion around Muslims in film, asking new questions of the archive and magnifying analyses of particular cultural productions.

The volume includes the exploration of regional cinemas, detailed analysis of auteurs and individual films, comparison across global cinema, and new explorations that have not yet entered the conversation. The interdisciplinary collection provides an examination of the multiple roles Islam plays in film and the various ways Muslims are depicted. Across the chapters, key intersecting themes arise that push the limits of how we currently approach issues of Muslims in cinema and ventures to lead us in new directions for future scholarship.

This book adds new depth to the matrix of previous scholarship by revisiting methodological structures and sources, as well as exploring new visual geographies, transnational circuits, and approaches. It reframes the presiding scholarly conventions in five novel trajectories: considering new sources, exploring new communities, probing new perspectives, charting new theoretical directions, and offering new ways of understanding conflict in cinema. As such, it will be of great use to scholars working in Islamic Studies, Film Studies, Religious Studies, and Media.

Kristian Petersen is Assistant Professor in the Department of Philosophy and Religious Studies at Old Dominion University, USA.