New Approaches to Naples c.1500-c.1800

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A01=Helen Hills
Accademia Pontaniana
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Author_Helen Hills
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B01=Melissa Calaresu
capaccio
Category1=Non-Fiction
Category=AB
Category=CB
Category=HBG
Category=HBLH
Category=HBTB
Category=HBTK
Category=HD
Category=N
Category=NHB
Category=NHD
Category=NHTB
Category=NHTK
cesare
COP=United Kingdom
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Della
devotional
Devotional Print
early
Early Modern Naples
eq_art-fashion-photography
eq_bestseller
eq_dictionaries-language-reference
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
francesco
Francesco Solimena
giulio
Harald
Hunting Park
Hunting Reserve
King Hunting
Language_English
modern
Modern Rome
napoli
National Trust Images
Neapolitan Music
Neapolitan Nobility
Neapolitan Painting
Oil On Canvas
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Physics Cabinet
Pietro Fabris
Price_€20 to €50
print
Protector Saints
PS=Active
Reliquary Bust
Royal Hunting Reserve
softlaunch
solimena
Superb
Treasury Chapel
Van Bloemen
Vernet's Painting
Vernet’s Painting

Product details

  • ISBN 9781032923611
  • Weight: 530g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Early modern Naples has been characterized as a marginal, wild and exotic place on the fringes of the European world, and as such an appropriate target of attempts, by Catholic missionaries and others, to ’civilize’ the city. Historiographically bypassed in favour of Venice, Florence and Rome, Naples is frequently seen as emblematic of the cultural and political decline in the Italian peninsula and as epitomizing the problems of southern Italy. Yet, as this volume makes plain, such views blind us to some of its most extraordinary qualities, and limit our understanding, not only of one of the world's great capital cities, but also of the wider social, cultural and political dynamics of early modern Europe. As the centre of Spanish colonial power within Europe during the vicerealty, and with a population second only to Paris in early modern Europe, Naples is a city that deserves serious study. Further, as a Habsburg dominion, it offers vital points of comparison with non-European sites which were subject to European colonialism. While European colonization outside Europe has received intense scholarly attention, its cultural impact and representation within Europe remain under-explored. Too much has been taken for granted. Too few questions have been posed. In the sphere of the visual arts, investigation reveals that Neapolitan urbanism, architecture, painting and sculpture were of the highest quality during this period, while differing significantly from those of other Italian cities. For long ignored or treated as the subaltern sister of Rome, this urban treasure house is only now receiving the attention from scholars that it has so long deserved. This volume addresses the central paradoxes operating in early modern Italian scholarship. It seeks to illuminate both the historiographical pressures that have marginalized Naples and to showcase important new developments in Neapolitan cultural history and art history. Those developments showcased here include bot
Melissa Calaresu is Lecturer in History at Gonville and Caius College, Cambridge, UK. Helen Hills is Professor of the History of Art at the University of York, UK.

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