A01=Dermot Gault
anton
Author_Dermot Gault
Brass Chorale
Briefe II
Bruckner revision process analysis
Bruckner's Life
Bruckner's Music
Bruckner's Symphonies
Bruckner's Work
bruckners
Bruckner’s Life
Bruckner’s Music
Bruckner’s Symphonies
Bruckner’s Work
Category=AVA
Category=AVLA
Category=AVN
Category=AVP
Category=CB
Consequent Temptation
Dona Nobis Pacem
editorial practice in music
Eighth Symphony
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franz
Gesellschaft Der Musikfreunde
group
Group Recapitulation
Haas's Edition
Haas’s Edition
Hans Von Wolzogen
late Romantic era
Metronome Markings
Minor Mass
Motto Theme
Movement Motto
Movement's Principal Theme
Movement’s Principal Theme
musicological analysis
organic musical structure
Quaver Motif
recapitulation
reception history research
schalk
seventh
Seventh Symphony
symphonic revision studies
Te Deum
Theodor Helm
tuba
Vienna Version
Viennese Musical Life
wagner
work
Young Man
Product details
- ISBN 9781409400912
- Weight: 703g
- Dimensions: 156 x 234mm
- Publication Date: 28 Dec 2010
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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The New Bruckner provides a valuable study of Bruckner's music, focusing on the interaction of biography, textual scholarship, reception history and analysis. Dr Dermot Gault conveys a broad chronological narrative of Bruckner's compositional development, interpolating analytical commentaries on the works and critical accounts of the notoriously complex and editorial issues. Gault corrects longstanding misconceptions about the composer's revision process, and its relationship with the early editions and widely-held critical opinions. Bruckner's constantly evolving engagement with symphonic form is traced by taking each revision in due order, rather than by taking each symphony on its own, and by relating the symphonies to other mature works such as the Te Deum, the three great Masses, and the Quintet, and argues that Bruckner's music became more organic and less schematic as the result of his revisions. The book will be essential reading for those studying Bruckner's compositions, the complex history of their reception, and late Romantic music in general.
Dermot Gault was born in Belfast and studied music at Queen's University Belfast, where he obtained a doctorate for a thesis on Bruckner's symphonies in 1994. He has contributed to The Bruckner Journal since its inception and addressed Bruckner Conferences in Nottingham and Oxford. He has also contributed to Music Ireland and The Irish Times.
