New Dramaturgies of Contemporary Opera

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B01=Jingyi Zhang
Category1=Non-Fiction
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Category=ATD
Category=AVGC9
Category=AVLF
contemporary opera creation processes
COP=United Kingdom
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dramaturgy
dramaturgy of opera
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focus on dramaturgy
intercultural performance
Language_English
musicology
opera
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performance studies
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site-specific theatre
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technology in music theatre
transmedia performance

Product details

  • ISBN 9781032611570
  • Weight: 280g
  • Dimensions: 138 x 216mm
  • Publication Date: 16 Sep 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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New Dramaturgies of Contemporary Opera is the first and only book that approaches the dramaturgy of contemporary opera from the unique perspectives of living practitioners (composers, librettists, directors, producers, singers, dramaturgs, and administrators) who provide valuable first-hand insight into the coming into being of an opera today.

The edited collection captures the ethos of contemporary opera-making in the global context and serves as a timely intervention in addressing the array of heterogenous dramaturgical practices that go into making an opera today in an era of flux. The collection is split into four parts: Part I presents the new dramaturgical considerations that the field is currently exploring; Part II investigates the ways in which non-Western cultures and perspectives can and have been represented; Part III explores the roles of space, nature, and environment in contemporary opera; and finally, Part IV looks at the ways in which technology has intersected with the creation of contemporary opera.

With perspectives from practitioners throughout, this collection is essential reading for advanced students, researchers, and scholars of contemporary opera, as well as practicing dramaturgs in this field.

Jingyi Zhang is a Ph.D. candidate in musicology at Harvard University. As a music and cultural historian, her research interests center on themes of racial identity, mobility, media technology, and decolonial thinking in 19th to 21st century songs, opera, and theater.