New Essays on Eudora Welty, Class, and Race

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"A Worn Path"
"Moon Lake"
"Only a Pawn in Their Game"
"The Demonstrators"
"Where is the Voice Coming From"
African-American
American Literature
Bob Dylan
Category=DSB
Category=JBFA
Category=JBSA
Civil Rights
civil war
comedy
Delta Wedding
detective
eq_bestseller
eq_biography-true-stories
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminism
fiction
genre
gothic
haunted house
ideology
Jim Crow
Judith Butler
Losing Battles
Lost Cause
masculinity
Medgar Evers
modernism
noir
orphan
pastoral
photography
Race and Ethnicity
race-rape
segregation
short story
signifying
slavery
Southern Literature
Terry Eagleton
The Golden Apples
Toni Morrison
Welty
Welty "The Burning"
Whiteness
William Faulkner: Helene Cixous

Product details

  • ISBN 9781496826152
  • Weight: 340g
  • Dimensions: 152 x 228mm
  • Publication Date: 29 Nov 2019
  • Publisher: University Press of Mississippi
  • Publication City/Country: US
  • Product Form: Paperback
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Contributions by Jacob Agner, Susan V. Donaldson, Sarah Gilbreath Ford, Stephen M. Fuller, Jean C. Griffith, Ebony Lumumba, Rebecca Mark, Donnie McMahand, Kevin Murphy, Harriet Pollack, Christin Marie Taylor, Annette Trefzer, and Adrienne Akins Warfield.

The year 2013 saw the publication of Eudora Welty, Whiteness, and Race, a collection in which twelve critics changed the conversation on Welty’s fiction and photography by mining and deciphering the Complexity of her responses to the Jim Crow South. The thirteen diverse voices in New Essays on Eudora Welty, Class, and Race deepen, reflect on, and respond to those seminal discussions. These essays freshly consider such topics as Welty’s uses of African American signifying in her short stories and her attention to public street performances interacting with Jim Crow rules in her unpublished photographs. Contributors discuss her adaptations of gothic plots, haunted houses, Civil War stories, and film noir. And they frame Welty’s work with such Subjects as Bob Dylan’s songwriting, the idea and history of the orphan in America, and standup comedy. They compare her handling of whiteness and race to other works by such contemporary writers as William Faulkner, Richard Wright, Toni Morrison, Chester Himes, and Alice Walker. Discussions of race and class here also bring her masterwork The Golden Apples and her novel Losing Battles, underrepresented in earlier conversations, into new focus.

Moreover, as a group these essays provide insight into Welty as an innovative craftswoman and modernist technician, busily altering literary form with her frequent, pointed makeovers of familiar story patterns, plots, and genres.

Harriet Pollack is affiliate professor of American literature at College of Charleston. She is author of Eudora Welty’s Fiction and Photography: The Body of The Other Woman, and her previous edited and coedited volumes include Eudora Welty, Whiteness, and Race; Emmett Till in Literary Memory and Imagination; Having Our Way: Women Rewriting Tradition in Twentieth-Century America; and Eudora Welty and Politics: Did the Writer Crusade? She was the 2009 recipient of the Phoenix Award for outstanding contributions to Eudora Welty scholarship and has twice served as president of the Eudora Welty Society.