New-found Voices

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A01=Derek Hyde
Act III
Author_Derek Hyde
Boatswain's Mate
Boatswain’s Mate
British musical history
Category=AV
Category=JBSF1
Category=NHTB
Competitive Festivals
Drawing Room Ballad
English music
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
female composers research
gender studies
Horse Woman
Knight Errant
Leipzig Gewandhaus Orchestra
London Debut
Lucy Broadwood
music education reform
musical life
nineteenth century Britain
nineteenth-century British women musicians
Philharmonic Society
Philharmonic Society Concerts
Queen's Hall
Queen’s Hall
Rosa Newmarch
Royal Manchester College
social history of music
Sol Fa
Sol-fa notation
St Lawrence Church
Tarquinia Molza
Tonic Sol Fa
Victorian era culture
Wider Issues
Woman Composer
woman composers
Women Musicians
Women Pianists
Young Man

Product details

  • ISBN 9781138328822
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 30 Jun 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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First published in 1998, this volume by Derek Hyde remedies the lack of information concerning the contribution made by women to musical life in Britain during the nineteenth century in this carefully researched survey. The book reveals the significant role played by women in the production and performance of certain genres of music, such as piano music, songs and ballads, and touches on the reasons why they were more prominent in these areas than in the male preserves of chamber and orchestral music. In particular, the pioneering work of Sarah Glover in Sol-fa notation and the part played by Mary Wakefield in establishing the Competitive Festival Movement are charted.

The third edition includes a new introduction, taking into account recent research in the field of gender and music. There is also a revised chapter on the work of Ethel Smyth, the first woman composer to enjoy a measure of success in England. This book will be of interest to social historians, musicologists and those concerned with women’s history alike.

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