New Geographies of Abstract Art in Postwar Latin America

Regular price €192.20
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
Abigail Lapin Dardashti
abstract art
abstract art regional case studies
Afro-Brazilian Religions
Ana M. Franco
Andean Artists
Andean region
Argentina
art and politics
art history
Arte Nuevo
Avant Garde Art
avant-garde Latin America
Brazil
calligraphy
Camila Maroja
Category=ABA
Category=AGA
Central America
Cold War
Cold War cultural politics
Colombia
communism
Concrete Art
contemporary art
Costa Rica
Cuba
Daniel Garza Usabiaga
Daniel R. Quiles
De Bellas Artes
democracy
Elise Dietrich
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Escuela De Bellas Artes
Geometric Abstract Art
Geometric Abstraction
geometric abstractionism
gestural abstraction
Gina McDaniel Tarver
global art history
Heloisa Espada
indigenous art
Informalism
Instituto Torcuato Di Tella
International Informalism
Las Monjas
Latin America
Latin American Art
Latin American Art History
Latin American modernism
Latin American studies
Lauran Bonilla-Merchav
Maria Amalia Garcia
Maria Laura Steverlynck
Mathias Goeritz
Mexico
Michele Greet
modern art
Museo De Bellas Artes
Museo Nacional Centro De Arte
Museu De Arte
Museu De Arte Moderna
Neoconcrete Art
Paulo Bienal
Pietro Maria Bardi
Post-painterly Abstraction
postwar art
postwar art movements
Sean Nesselrode Moncada
South America
the Andes
the Caribbean
Tiziana Laudato
visual studies
Wolfgang Paalen
World War II

Product details

  • ISBN 9781138480766
  • Weight: 738g
  • Dimensions: 174 x 246mm
  • Publication Date: 27 Sep 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

This edited volume examines the history of abstract art across Latin America after 1945. This form of art grew in popularity across the Americas in the postwar period, often serving to affirm a sense of being modern and the right of Latin America to assume the leading role Europe had played before World War II. Latin American artists practiced gestural and geometric abstraction, though the history of art has favored the latter. Recent scholarship, for instance, has focused on geometric abstraction from Argentina, Brazil, and Venezuela. The book aims to expand the map and consider this phenomenon as it developed in neglected regions such as Central America and the Andes, investigatinghow this style came to stand in for Latin American contemporary art.

Mariola V. Alvarez is Assistant Professor at Temple University.

Ana M. Franco is Associate Professor at Universidad de los Andes, Bogotá.