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New German Cinema and Its Global Contexts
New German Cinema and Its Global Contexts
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€88.99
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€107.99
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1970s
1980s
A01=Barry Keith Grant
A19=Eric Rentschler
Age Group_Uncategorized
Age Group_Uncategorized
Author_Barry Keith Grant
automatic-update
B01=Jaimey Fisher
B01=Marco Abel
Berlin School
Category1=Non-Fiction
Category=APFA
Category=APFN
Category=ATFA
Category=ATFV
Category=HBJD
Category=NHD
COP=United States
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=0
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
film
Language_English
media studies
movie
PA=Not yet available
Price_€50 to €100
PS=Forthcoming
Revolver
softlaunch
transnational
Product details
- ISBN 9780814348918
- Dimensions: 152 x 229mm
- Publication Date: 27 Jan 2026
- Publisher: Wayne State University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
The last of the so-called new waves in film, New German Cinema of the 1970s and early 1980s represents much more than a national phenomenon; it impacted and was influenced by films from around the world. Filmmakers such as the famous troika of Rainer Werner Fassbinder, Werner Herzog, and Wim Wenders, as well as directors, such as Margarethe von Trotta, Helma Sanders-Brahms, and Helke Sander, and Volker Schlöndorff received much critical acclaim both in Germany and abroad. These directors, their films, and their often-infamous reputations constitute one of the most intriguing and consequential legacies of European cinema and world culture. In this groundbreaking view of New German Cinema through a global lens, editors Marco Abel and Jaimey Fisher approach these celebrated years of German art film from diverse and innovative perspectives. Contributors explore these films' transnational circuits of production, distribution, and exhibition, as well as how the films were made and received, thereby inviting us to reexamine the roots of what New German Cinema was and imagine what it might yet become.
Marco Abel is Willa Cather Professor of English and Film Studies at the University of Nebraska–Lincoln. He specializes in critical, poststructuralist, and (neo-)Marxist theory in addition to film theory and German film history. He is the recipient of an American Academy in Berlin Prize and, in 2019, served as the Dirk Ippen Fellow there. Jaimey Fisher is professor of German and of cinema and digital media at the University of California, Davis. He has held two fellowships from the German Academic Exchange Service (DAAD) and was awarded a German Chancellor (Bundeskanzler) Fellowship from the Alexander von Humboldt Foundation.
New German Cinema and Its Global Contexts
€88.99
