New Histories of Art in the Global Postwar Era

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Africa
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art historiography
art history
Art museums
artistic circulations
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B01=Flavia Frigeri
B01=Kristian Handberg
Brazil
Brazilian Artists
Brazilian modernity
Buenos Aires
canon
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center
centre
China
collecting
colonialism
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curatorial studies
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Della
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Di Tella
Di Tella Institute
East Europe
Eastern Europe
eq_art-fashion-photography
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Ernest Mancoba
Ethiopia
exhibition studies
exhibitions
feminism
feminist art history
geography
Gerard Sekoto
global modernism case studies
Global perspective
Global postwar era
globalism
Globalization
Guyana
hegemony
historiography
indigenous
Iran
Kazimir Malevich
Kunsthalle Bern
Language_English
Latin America
Moderna Museet
modernism
modernity
Multiple Modernities
museum studies
museums
networks
Oil On Canvas
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Paul Gauguin
periphery
Pietro
Pietro Maria Bardi
Plaster Of Paris
postcolonial aesthetics
Postwar
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Russia
Senegal
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South America
South Korea
Soviet Pavilion
Soviet Union
Torcuato Di Tella
Torcuato Di Tella Institute
transcontinental
transnational
transnational art networks
twentieth century
Uganda
USSR
USSR Pavilion
Venice Biennale
World War II
Yayoi Kusama

Product details

  • ISBN 9780367721541
  • Weight: 900g
  • Dimensions: 174 x 246mm
  • Publication Date: 26 Sep 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book maps key moments in the history of postwar art from a global perspective.

The reader is introduced to a new globally oriented approach to art, artists, museums and movements of the postwar era (1945–70). Specifically, this book bridges the gap between historical artistic centers, such as Paris and New York, and peripheral loci. Through case studies, previously unknown networks, circulations, divides and controversies are brought to light. From the development of Ethiopian modernism, to the showcase of Brazilian modernity, this book provides readers with a new set of coordinates and a reassessment of well-trodden art historical narratives around modernism.

This book will be of interest to scholars in art historiography, art history, exhibition and curatorial studies, modern art and globalization.

Flavia Frigeri is an Art Historian and Curator. She is currently Curator for Missing Narratives on Women at the National Portrait Gallery in London.

Kristian Handberg is an Art Historian. He is currently Assistant Professor in the Department of Arts and Cultural Studies at the University of Copenhagen.