New Music and the Crises of Materiality

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20th Century Music
21st-century music
A01=Samuel Wilson
Adorno
aesthetics
aesthetics of music
art music
Author_Samuel Wilson
Beethoven
Brian Ferneyhough
Category=AVLA
Category=JBCC
Category=QDTN
Clear Referent
Compositional Practices
Contemporary Art Music
contemporary music
critical materialism in contemporary composition
critical theory
cultural theory
DPOAE
ecomusicology
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
experimental music
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Heinz Holliger
Helmut Lachenmann
Holds
Late Modern Subject
late modernity
materialism
materialisms
materialities
materiality
music and art
music and materiality
music and painting
music and sculpture
music and the body
Music Ecology
Musical Aesthetics
Musical Bodies
musical environments
Musical Material
Musical Materialism
Musical Materialities
musical modernity
musical objects
musicology
neoliberalism
new materialism
new materiality
new music
philosophy of music
posthuman music
posthumanism
postmodernism
Rick Dolphijn
Sound Aesthetics
Sound Art
sound studies
sounding bodies
sounding objects
Study Iii
Theodor Adorno
Timeless
Twentieth Century Music
twenty-first-century music
Vice Versa

Product details

  • ISBN 9780367481858
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 05 Jul 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book explores the transformation of ideas of the material in late twentieth- and early twenty-first-century musical composition. New music of this era is argued to reflect a historical moment when the idea of materiality itself is in flux. Engaging with thinkers such as Theodor Adorno, Sara Ahmed, Zygmunt Bauman, Rosi Braidotti, and Timothy Morton, the author considers music's relationship with changing material conditions, from the rise of neo-liberalisms and information technologies to new concepts of the natural world.

Drawing on musicology, cultural theory, and philosophy, the author develops a critical understanding of musical bodies, objects, and the environments of their interaction. Music is grasped as something that both registers material changes in society whilst also enabling us to practice materiality differently.

Samuel Wilson's research focuses on music and twentieth- and twenty-first-century modernity. He lectures in music aesthetics at Guildhall School of Music and Drama and interdisciplinary theory at London Contemporary Dance School. He is the editor of Music--Psychoanalysis--Musicology (Routledge, 2018).

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