New Music Theatre in Europe

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
analysis of avant-garde theatrical works
avant-garde performance
Bruno Maderna
Category=AFKP
Category=AVLA
CIA Agent
Complex Spatial Conception
Contemporary Society
Die Soldaten
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
experimental composition
Experimental Music Theatre
Georges Aperghis
Giacomo Manzoni
Holland Festival
interdisciplinary theatre studies
Jean Claude Van Itallie
La Cantatrice Chauve
La Fenice
Laterna Magika
Le Grand Macabre
Luciano Berio
Luciano Berio's Sequenza
Luciano Berio’s Sequenza
Moving Image Technology
Music Theatre Activity
Music Theatre Works
NATO's Involvement
NATO’s Involvement
Nouvelles Aventures
performer embodiment
political protest in music
postwar European arts
Sylvano Bussotti
Vice Versa
Young Man
Zimmermann's Die Soldaten
Zimmermann’s Die Soldaten

Product details

  • ISBN 9781138323018
  • Weight: 635g
  • Dimensions: 156 x 234mm
  • Publication Date: 04 Apr 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Between 1955 and 1975 music theatre became a central preoccupation for European composers digesting the consequences of the revolutionary experiments in musical language that followed the end of the Second World War. The ‘new music theatre’ wrought multiple, significant transformations, serving as a crucible for the experimental rethinking of theatrical traditions, artistic genres, the conventions of performance, and the composer’s relation to society. This volume brings together leading specialists from across Europe to offer a new appraisal of the genre. It is structured according to six themes that investigate: the relation of new music theatre to earlier and contemporaneous theories of drama; the use of new technologies; the relation of new music theatre to progressive politics; the role of new venues and environments; the advancement of new conceptions of the performer; and the challenges that new music theatre lays down for music analysis. Contributing authors address canonical works by composers such as Berio, Birtwistle, Henze, Kagel, Ligeti, Nono, and Zimmermann, but also expand the field to figures and artistic developments not regularly represented in existing music histories. Particular attention is given to new music theatre as a site of intense exchange – between practitioners of different art forms, across national borders, and with diverse mediating institutions.

Robert Adlington holds the Queen’s Anniversary Prize Chair in Contemporary Music at the University of Huddersfield. He is author of books on Harrison Birtwistle, Louis Andriessen, and avant-garde music in 1960s Amsterdam, and editor of volumes on avant-garde music in the 1960s, and music and communism outside the communist bloc. He has written articles and chapters on Nono, Berio, musical modernism, new music theatre, and musical temporality.