New Narratives of Russian and East European Art

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1917
accepted histories
Act III
Aleksandr Gerasimov
Aleksandr Rodchenko
architecture
art criticism
art historiography
art history
Artist's Model
artistic production
artists
Artist’s Model
Avant Gardist Art
avant-garde
Belarus
Brussels World Fair
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censorship
Cold War aesthetics
Constructivism
contemporary art
Contemporary Russian Art
cultural history
cultural production
Czech Republic
Czechoslovakia
East European Art
Eastern bloc
Eastern Europe
El Lissitzky
entrenched dichotomies
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Europe
Fireplace Screen
Greenery Cap
historiography
history of architecture
Hungarian National Gallery
Hungary
identity
imperialism
intermediality
Konstantin Korovin
methodology
Mikhail Vrubel
Mir Iskusstva
modern art
modernist movements
Moscow Artists
national identity
nationalism
Neoprimistivism
nineteenth century
Nizhnii Novgorod
Nonidentity Problem
outsider
politics
post-Soviet identity
postmodern
Prince Igor
Productivism
religion
Repin's Painting
Repin’s Painting
Russia
Russian and East European art history
Russian East European art research
Russian Revolution
Slovenia
socialism
socialist realism
Soviet
State Historical Museum
State Tretyakov Gallery
Tsar Alexander III
Tsar Alexei Mikhailovich
twentieth century
twenty-first century
USSR
Viktor Vasnetsov
visual culture studies
Yugoslavia

Product details

  • ISBN 9781032337845
  • Weight: 560g
  • Dimensions: 174 x 246mm
  • Publication Date: 14 Jun 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book brings together thirteen scholars to introduce the newest and most cutting-edge research in the field of Russian and East European art history. Reconsidering canonical figures, re-examining prevalent debates, and revisiting aesthetic developments, the book challenges accepted histories and entrenched dichotomies in art and architecture from the nineteenth century to the present. In doing so, it resituates the artistic production of this region within broader socio-cultural currents and analyzes its interconnections with international discourse, competing political and aesthetic ideologies, and continuous discussions over identity.

The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license

Galina Mardilovich is Curator of Russian and European Art at the Mead Art Museum at Amherst College, USA.

Maria Taroutina is Assistant Professor of Art History at Yale–NUS College, Singapore.