New Perspectives on Narrative and Multimodality

Regular price €210.80
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Audio Description
Breathing Wall
Category=CFG
Category=DSB
CMT
Conceptual Metaphor
ction
ctional
digital humanities
embodied communication
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fanfi Ction
Fi Ctional World
Gesture Spaces
hypertext
Hypertext Fi Ction
Image Text Relations
interactive media studies
leeuwen
Mind Style
modes
Multimodal Documents
multimodal narrative research
Multimodal Narratives
Multimodal Storytelling
Multimodal Texts
narrative cognition
resources
semiotic
semiotic analysis
Semiotic Channel
Semiotic Metaphors
Semiotic Modes
Semiotic Resource
theo
Theo Van Leeuwen
Transmedia Storytelling
Transmedial Narratology
Tv Show
van
Van Leeuwen
Vice Versa
visual storytelling
Word Image Combinations
world

Product details

  • ISBN 9780415995177
  • Weight: 610g
  • Dimensions: 152 x 229mm
  • Publication Date: 19 Aug 2009
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

The contributors in this collection question what kinds of relationships hold between narrative studies and the recently established field of multimodality, evaluate how we might develop an analytical vocabulary which recognizes that stories do not consist of words alone, and demonstrate the ways in which multimodality brings into fresh focus the embodied nature of narrative production and processing. Engaging with a spectrum of multimodal storytelling, from ‘low tech’ examples encompassing face-to-face stories, comic books, printed literature, through to opera, film adaptation and television documentary, stretching beyond to narratives that employ new media such as hypertext, performance art, and interactive museum guides, this volume examines the interplay of semiotic codes (visual, oral, aural, haptic, physiological) within each case under scrutiny, thereby exposing both points of commonality and difference in the range of multimodal narrative experiences.

Ruth Page is a Reader in the School of English at Birmingham City University. She is the author of Literary and Linguistic Approaches to Feminist Narratology (Palgrave, 2006), and co-editor of New Narratives: Stories and Storytelling in the Digital Age (UNP, forthcoming).