New Theatre in Italy

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A01=Valentina Valentini
Alberto Asor Rosa
Anthropology
Arte Povera
Ascanio Celestini
Author_Valentina Valentini
avant-garde performance
Category=AFKP
Category=ATD
Category=DD
Category=DS
Category=DSG
Category=NHD
collective theatre practice
Commedia
Cremaster Cycle
DJ Set
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Ettore Capriolo
experimental dramaturgy
Falso Movimento
Federico Tiezzi
Franco Quadri
Futurism
Gaia Scienza
Giovanni Testori
Grotowski
intercultural performance theory
Italian avant-garde theatre evolution
Jannis Kounellis
Kantor
La Radia
Leo De Berardinis
Marco Belpoliti
Neapolitan
Neo-avant Gardes
Odin Teatret
Palazzo Dei Diamanti
Pasolini
Pasolini's Theater
Pasolini’s Theater
Pippo Delbono
postmodern performance studies
Raffaello Sanzio
Richard III
Robert Wilson
Scaldati
sensory theatre aesthetics
Studio Azzurro
Testori
Tragedia Endogonidia
Young Man

Product details

  • ISBN 9781138577251
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 19 Dec 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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New Theatre in Italy 1963-2013 makes the case for the centrality of late-millennium Italian avant-garde theatre in the development of the new forms of performance that have emerged in the 21st Century. Starting in the Sixties, young artists and militants in Italy reacted to the violence in their streets and ruptures in the family unit that are now recognized as having been harbingers of the end of the global post-war system. As traditional rituals of State and Church faltered, a new generation of cultural operators, largely untrained and driven away from political activism, formed collectives to explore new ways of speaking theatrically, new ways to create and experience performance, and new relationships between performer and spectator. Although the vast majority of the works created were transient, like all performance, their aesthetic and social effects continue to surface today across media on a global scale, affecting visual art, cinema, television and the behavioural aesthetics of social networks.

Valentina Valentini is full professor of Performance Studies and New Media in the Performing Arts Department of the Università "La Sapienza" in Rome, the city's principal university, where she serves as Director of the Centro Teatro Ateneo, a research center on performing arts. .

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