Nicolas Eekman

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19thcentury
20thcentury
A01=Emmanuel Breon
Age Group_Uncategorized
Age Group_Uncategorized
art
Author_Emmanuel Breon
automatic-update
Category1=Non-Fiction
Category=ACX
Category=AFC
Category=AGA
Category=AGB
COP=France
Cubism
Delivery_Delivery within 10-20 working days
engraver
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Expressionism
figurative
Flemish
illustrator
Language_English
Language_French
PA=Available
painters
paintings
Price_€50 to €100
PS=Active
realism
softlaunch

Product details

  • ISBN 9782376660354
  • Weight: 1514g
  • Dimensions: 230 x 305mm
  • Publication Date: 12 May 2022
  • Publisher: Editions Norma
  • Publication City/Country: FR
  • Product Form: Hardback
  • Language: English, French
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Nicolas Eekman (1889-1973) is the heir of the great creators of his native Flanders, from Jérôme Bosh to James Ensor, as well as one of the representatives of the School of Paris.

Born in Brussels where he studied architecture, he turned to painting and exhibited for a few years in Holland before settling in Paris in 1921. Close to his compatriot Mondrian with whom he exhibited at the Jeanne Bucher gallery (1928), he is also closely linked to the artists Jean Lurçat, Marcoussis, Max Jacob, Lipchitz, and later with Moïse Kisling and Frans Masereel.

Influenced by Cubism to which he devoted a few outstanding years, he gradually returned, in the 1930s, to realism and then from the 1950s turned to the fantastic, reviving the Flemish painting of the fifteenth and sixteenth century.

Author of an abundant painted work, he is also a renowned draftsman, illustrator and engraver whose works have been collected by numerous print studios (Brussels, Hanover, Berlin, Hamburg, Basel, Budapest).

Text in English and French.

Emmanuel Bréon is chief curator of the Gallery of the musée des Monuments français/ Cité de l'architecture et du patrimoine. Former director of the 1930s museum in Boulogne and of the Orangerie in Paris, Emmanuel Bréon was the curator of numerous exhibitions, including 1925, When Art Deco Seduces the World (2013), The Model Children (2010), and Jacques-Émile Ruhlmann (2004).

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