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Nicolas Schöffer
Nicolas Schöffer
★★★★★
★★★★★
Regular price
€49.99
A01=Arnauld Pierre
A01=Dominique Trudel
A01=Pauline Mari
A01=Sebastien Delot
Age Group_Uncategorized
Age Group_Uncategorized
artistic dynamism
Author_Arnauld Pierre
Author_Dominique Trudel
Author_Pauline Mari
Author_Sebastien Delot
automatic-update
Category1=Non-Fiction
Category=ACXJ
Category=AGA
Category=AGB
COP=United States
cybernetic art
cybernetics
CYSP 1
Delivery_Delivery within 10-20 working days
dream machines
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exhibition catalogue
feedback loops
french
hungarian
kinetic sculpture
LaM
Language_English
norbert wiener
PA=Available
philips company
postwar
Price_€20 to €50
PS=Active
pyschedelic
sculpture
softlaunch
studio archives
venice biennale 1968
Villeneuve d'Asq
Villeneuve d’Asq
warren mcculloch
Product details
- ISBN 9780300233247
- Weight: 1542g
- Dimensions: 241 x 267mm
- Publication Date: 18 Apr 2018
- Publisher: Yale University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
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Hungarian-born French artist Nicolas Schöffer (1912–1992), though relatively unknown today, was during his lifetime a significant presence in the art world. His 1956 piece CYSP 1 is considered the first cybernetic sculpture, making use of motors, microphones, and photo-electric cells to create a work based on feedback loops and responsiveness to its environment. For Schöffer, cybernetics enabled a crucial artistic exploration of the boundary between the living and the technological. This important reevaluation of Schöffer’s work features sculptures, paintings, and drawings, including unpublished pieces from the artist’s studio and archive, as well as documentation of his interdisciplinary and experimental collaborations with architects, musicians, choreographers, scientists, and industrialists. Particular attention is paid to the innovative work he created between 1945 and 1975, which takes on particular resonance in our current, digitally saturated world.
Distributed for Mercatorfonds
Distributed for Mercatorfonds
Exhibition Schedule:
Lille Métropole Museum of Modern, Contemporary and Outsider Art
(02/23/18–05/20/18)
Arnauld Pierre is professor of art history at the University Paris-Sorbonne.
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