Nietzsche and the Fate of Art

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A01=Philip Pothen
Aesthetic Disinterestedness
Animal Vigour
Art
Ascetic Ideals
Author_Philip Pothen
BGE
Category=QDTN
Christian Moral Ideal
continental philosophy
CW
Dionysian Music
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
German intellectual history
Heidegger's Reading
Heidegger’s Reading
Kantian Critical Project
Monological Work
Nietzsche
Nietzsche aesthetics and truth debate
Nietzsche Lectures
Nietzsche's Account
Nietzsche's Critique
Nietzsche's Description
Nietzsche's Nachlass
Nietzsche's Philosophy
Nietzsche's Position
Nietzsche's Text
Nietzsche's Thought
Nietzschean Aesthetics
Nietzsche’s Account
Nietzsche’s Critique
Nietzsche’s Description
Nietzsche’s Nachlass
Nietzsche’s Philosophy
Nietzsche’s Position
Nietzsche’s Text
Nietzsche’s Thought
OWA
philosophical aesthetics
Spoke Zarathustra
Timeless
tragedy in philosophy
TSZ
Views
Violates
Wagnerian influence
will to power theory

Product details

  • ISBN 9781138296312
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Mar 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This title was first published in 2002. Challenging the accepted orthodoxy on Nietzsche's views on art, this book seeks both to challenge and to establish a new set of concerns as far as discourses on Nietzsche's thoughts on aesthetics are concerned, whilst at the same time using such insights to illuminate more central concerns of Nietzsche scholarship, such as the will to power, the illusion/truth question, the eternal return, the death of God, tragedy, Wagner. Following the development of Nietzsche's thoughts on art from his earliest writings to his last, Pothen counters traditionally accepted interpretations by suggesting a need to recognize the deep suspicion and at times hostility that Nietzsche displays towards art and the artist throughout his text by emphasising the philosophical arguments underlying this deep suspicion, and by viewing this tendency as something deeply connected to the other areas of his thought. Readers with interests in Nietzsche studies, aesthetics, German philosophy, and the philosophy of music, will find this a particularly invaluable and distinctive contribution to Nietzsche scholarship.

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