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Nike: Form Follows Motion
Mateo Kries | Glenn Adamson | Ligaya Salazar | Adam Bradley | Sam Grawe | William Myers | Hanif Abdurraqib | Rick Poynor
Nike: Form Follows Motion
★★★★★
★★★★★
Regular price
€67.99
A01=Adam Bradley
A01=Glenn Adamson
A01=Hanif Abdurraqib
A01=Ligaya Salazar
A01=Mateo Kries
A01=Rick Poynor
A01=Sam Grawe
A01=William Myers
Age Group_Uncategorized
Age Group_Uncategorized
Author_Adam Bradley
Author_Glenn Adamson
Author_Hanif Abdurraqib
Author_Ligaya Salazar
Author_Mateo Kries
Author_Rick Poynor
Author_Sam Grawe
Author_William Myers
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Category1=Non-Fiction
Category=AKL
Category=AKT
Category=AKTF
COP=Germany
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
PA=Not yet available
Price_€50 to €100
PS=Forthcoming
softlaunch
Product details
- ISBN 9783945852644
- Weight: 1580g
- Dimensions: 220 x 300mm
- Publication Date: 14 Nov 2024
- Publisher: Vitra Design Museum
- Publication City/Country: DE
- Product Form: Hardback
- Language: English
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An unprecedented look at the design archives of the iconic sportswear brand.
In Autumn 2024 the Vitra Design Museum will present the first ever museum exhibition about Nike, the world’s most revered sport brand. The exhibition and this accompanying catalogue mark the milestones in Nike’s six decade history and explores its ascent into a global brand that holds a central role in popular culture. The focus of the exhibition is on Nike’s design practice – from the company’s beginnings in the 1960s and the design of its famous “swoosh” logo to iconic products such as Air Max Air Jordan and Vapor Fly, and current research devoted to future materials and sustainability.
The main source for the exhibition is the Department of Nike Archives, which contains a unique collection of drawings, prototypes and other documentation. The exhibition marks the most comprehensive access ever given to this archive. Among the objects on show are rarities and one-offs from the company’s early days in the 1960s, original design drawings and prototypes of iconic sneaker models, historical documents and films, as well as the results of collaborations with creative figures such as Virgil Abloh and Marc Newson.
Nike: Form Follows Motion traces Nike’s design process, which begins with the scientific analysis of the human body in motion and material research and culminates in the finished product and its branding. Along with Nike designers like Bill Bowerman, Diane Katz, Tinker Hatfield and Eric Avar, athletes – from the world’s greatest to the everyday – have played an important role in this design process.
In Autumn 2024 the Vitra Design Museum will present the first ever museum exhibition about Nike, the world’s most revered sport brand. The exhibition and this accompanying catalogue mark the milestones in Nike’s six decade history and explores its ascent into a global brand that holds a central role in popular culture. The focus of the exhibition is on Nike’s design practice – from the company’s beginnings in the 1960s and the design of its famous “swoosh” logo to iconic products such as Air Max Air Jordan and Vapor Fly, and current research devoted to future materials and sustainability.
The main source for the exhibition is the Department of Nike Archives, which contains a unique collection of drawings, prototypes and other documentation. The exhibition marks the most comprehensive access ever given to this archive. Among the objects on show are rarities and one-offs from the company’s early days in the 1960s, original design drawings and prototypes of iconic sneaker models, historical documents and films, as well as the results of collaborations with creative figures such as Virgil Abloh and Marc Newson.
Nike: Form Follows Motion traces Nike’s design process, which begins with the scientific analysis of the human body in motion and material research and culminates in the finished product and its branding. Along with Nike designers like Bill Bowerman, Diane Katz, Tinker Hatfield and Eric Avar, athletes – from the world’s greatest to the everyday – have played an important role in this design process.
Glenn Adamson is Director of the Museum of Arts and Design, New York. He was formerly head of research at the Victoria and Albert Museum, London, and tutor at the Royal College of Art, London. He is co-editor of the Journal of Modern Craft and author of The Craft Reader and The Invention of Craft. William Myers is a writer, curator and teacher based in Amsterdam. He has worked for The Museum of Modern Art, the Smithsonian Cooper-Hewitt National Design Museum, the Guggenheim and Genspace, the first community biotech lab in the United States. His writing has appeared in Metropolis magazine, The Architect’s Newspaper and New York Magazine.
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