Nikolaj Gumilev and Neoclassical Modernism
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A01=Raoul Eshelman
Author_Raoul Eshelman
Category=D
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Eshelman
Gumilev
Metaphysics
Modernism
Neoclassical
Nikolaj
Raoul
Schmid
Style
Wolf
Product details
- ISBN 9783631459058
- Weight: 220g
- Dimensions: 148 x 210mm
- Publication Date: 01 Mar 1993
- Publisher: Peter Lang GmbH
- Publication City/Country: DE
- Product Form: Paperback
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Nikolaj Gumilev occupies a paradoxical place within the history of Russian modernism. Although he is well known as the founder of Acmeism and is regarded as an important poet and critic, much of his work is difficult to reconcile with prevailing concepts of modernism. The present study seeks to explain this marginal position by reinterpreting Gumilev's work within the broader context of a modernist aesthetic of order, or neo-classical modernism. The term refers to an aesthetic line within modernism that sought to reconcile certain features of traditional rhetoric - in particular the triadic style system - with modernist strategies of innovation. Although primarily devoted to Gumilev, the study also touches on Russian and French writers adhering to comparable aesthetic values, among them Annenskij, Kuzmin, Gautier, Leconte de Lisle, Valery and Gide.
The Author: Raoul Eshelman was born in Munich, Germany in 1956. After graduating from Rutgers University with a B.A. in Political Science, he continued his studies at the University of Constance, where he obtained his Ph.D. in Slavics in 1988. At present he is Assistant Professor in the Slavic Department of Hamburg University. He has also taught at Rutgers/Newark and Berkeley.
