Nine Choices

Regular price €32.50
A01=Jonathan Silverman
addiction and redemption themes
American folklore revival
American music legends
archival insights into performers
artist-producer relationships
artistic authenticity debates
artistic decision-making
artistic self-fashioning
Author_Jonathan Silverman
Category=JBCC
Category=NHTB
celebrity decision-making under scrutiny
celebrity identity formation
celebrity image management
conflicts between art and commerce
countercultural symbolism
country music iconography
creative autonomy battles
creative risks and breakthroughs
cultural history of performers
cultural myth-making
cultural rebellion motifs
enduring musical influence
entertainment world narratives
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
fame and personal struggle
iconic stage presence
legendary concert moments
media portrayal of musicians
mid-century Americana
moral complexity in stardom
music criticism analysis
music history scholarship
music industry pressures
musical legacy interpretation
outlaw music ethos
performance persona evolution
performer-audience dynamics
personal reinvention
postwar cultural shifts
public versus private self
rebel archetypes in pop culture
regional identity in music
roots music heritage
rugged individualism in music
shifts in audience expectations
Southern musical traditions
storytelling through song
symbolic gestures in pop culture
touring life realities
transformative career choices
twentieth-century cultural currents

Product details

  • ISBN 9781558498273
  • Weight: 442g
  • Dimensions: 154 x 227mm
  • Publication Date: 30 Sep 2010
  • Publisher: University of Massachusetts Press
  • Publication City/Country: US
  • Product Form: Paperback
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For much of his career, Johnny Cash opened his shows with the tagline, “Hello, I’m Johnny Cash.” This introduction seemed unnecessary, since everyone in the audience knew who he was?the famous musical artist whose career spanned almost five decades, whose troubled life on and off the stage received wide publicity, and whose cragged face seemed to express a depth and intensity not found in any other artist, living or dead. For Cash, as for many celebrities, renown was the product of both hard work and luck. Often a visionary and always a tireless performer, he was subject to a whirlwind of social, economic, and cultural countercurrents. Nine Choices explores the tension between Cash’s desire for mainstream success, his personal struggles with alcohol and drugs, and an ever-changing cultural landscape that often circumscribed his options. Drawing on interviews, archival research, and textual analysis, Jonathan Silverman focuses on Cash’s personal and artistic choices as a way of understanding his life, his impact on American culture, and the ways in which that culture in turn shaped him. Cash made decisions about where he would live, what he would play, who would produce his albums, whether he would support the Vietnam War, and even if he would flip his famous “bird”?the iconic image of Cash giving the finger which is now plastered on posters and T-shirts everywhere?in the context of cultural forces both visible and opaque. He made other decisions in consultation with a variety of people, many of whom were chiefly concerned with the reaction of his audiences. Less a conventional biography than a study of the making of an identity, Nine Choices explores how Johnny Cash sought to define who he was, how he was perceived, and what he signified through a series of self-conscious actions. The result, Silverman shows, was a life that was often tumultuous but never uninteresting.
Jonathan Silverman is assistant professor of English at the University of Massachusetts Lowell and coauthor of The World Is a Text: Writing Reading and Thinking about Culture and Its Contexts.