A01=Elsy Lahner
A01=Klaus Albrecht Schroder
A01=Klaus Albrecht Schroeder
Age Group_Uncategorized
Age Group_Uncategorized
Author_Elsy Lahner
Author_Klaus Albrecht Schroder
Author_Klaus Albrecht Schroeder
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Category1=Non-Fiction
Category=ACXJ
Category=AGA
Category=AGB
COP=Germany
Delivery_Delivery within 10-20 working days
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eq_isMigrated=2
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Format=BB
Format_Hardback
Language_English
PA=Available
Price_€20 to €50
PS=Active
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Product details
- ISBN 9783777432564
- Format: Hardback
- Weight: 1520g
- Dimensions: 245 x 285mm
- Publication Date: 11 Jul 2019
- Publisher: Hirmer Verlag
- Publication City/Country: DE
- Product Form: Hardback
- Language: English
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Hermann Nitsch produced his first “poured” paintings around 1960. In this form of action painting, the artist is primarily concerned with the substance of the paint, which he investigates from one Painting Action to the next. This catalog illustrates the development of his painterly works from the early 1960s to the present day.
The main focus of the content lies in the characteristics of the various work cycles. In addition to the first “splatter” paintings it shows floor “splatter” paintings from the Red Cycle (1995), works from the Six-Day Play (1989) or the yellow Resurrection Cycle (2002). While one colour dominates in the monochrome works, in others a real explosion of colours takes place. The paint is splattered or sprayed; it may be applied in liquid form or impasto. The artist may use a paintbrush or smear the paint with his hands. The focal point is the exploration of the state of the paint, which varies between liquid and solid.
The main focus of the content lies in the characteristics of the various work cycles. In addition to the first “splatter” paintings it shows floor “splatter” paintings from the Red Cycle (1995), works from the Six-Day Play (1989) or the yellow Resurrection Cycle (2002). While one colour dominates in the monochrome works, in others a real explosion of colours takes place. The paint is splattered or sprayed; it may be applied in liquid form or impasto. The artist may use a paintbrush or smear the paint with his hands. The focal point is the exploration of the state of the paint, which varies between liquid and solid.
