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A01=Diego Pellecchia
A01=Kaoru Nakao
Atsumori
Author_Diego Pellecchia
Author_Kaoru Nakao
Category=ATD
Category=ATX
Category=ATY
costumes
dance
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
genzai plays
Japanese culture
Japanese no
Japanese theatre
Japanese theatre history
kyogen
masks
mugen plays
music
noh theatre
Okina
Sumidagawa

Product details

  • ISBN 9781350371446
  • Weight: 340g
  • Dimensions: 134 x 206mm
  • Publication Date: 20 Feb 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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This volume provides the reader with a comprehensive overview of the rich traditions of noh, classical Japanese dance-drama.

Drawing from specialized scholarship in English and in Japanese, it takes an accessible approach useful for a range of readers, including students and researchers of Japanese culture and performing arts, as well as theatre practitioners.

The introduction provides an overview, describing noh from the point of view of both the audience and the practitioner. Chapter One traces the history of noh from its origins through stages of development and formalization to the present day. Chapter Two explores the different plays in the repertoire, discussing their structures, themes, and sources. Chapter Three delves into the staging conventions of noh, introducing aspects of movement, music, and chant, as well as costumes, masks, and stage properties. To conclude, this book raises questions about the current situation of noh and explores its potential future.

Since its emergence in the 14th century, noh has been appreciated by audiences ranging from the intellectual elites to the warrior class, from the Buddhist clergy to commoners. Throughout its history, noh has influenced other traditional performing arts and, since the early 20th century, it has also been a source of inspiration for theatre practitioners outside of Japan.

Kaoru Nakao is Associate Professor specializing in noh in the Graduate School of Humanities, Division of Arts Studies (Theater Studies), Osaka University, Japan.

Diego Pelle
cchia is Associate Professor specializing in noh in the Faculty of Cultural Studies, Kyoto Sangyo University, Japan.

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