Non-Lyric and Lyric in Horace's Odes

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Augustan literature
Bacchus
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Category=JPA
Category=NHDA
Dionysus
disguise
effeminacy
elegy
epic
Epicureanism
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eq_biography-true-stories
eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
forthcoming
gender
genre
Horace
iambic
infiltration
invective
lyric
masculinity
metapoetics
Odes
persona
philosophy
Roman epic poetry
Roman poetry
satire
Stoicism

Product details

  • ISBN 9780472133727
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Aug 2026
  • Publisher: The University of Michigan Press
  • Publication City/Country: US
  • Product Form: Hardback
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Kenneth Draper’s new volume investigates genre, gender, and self-presentation in Horace’s first collection of Odes. It examines how Horace uses non-lyric genres—elegy, epic, invective, and philosophical discourse—to define his lyric project, responding to the rhetorical challenge of writing in the wake of civil war. It shows how Horace employs a “poetics of disguise and infiltration” in his engagement with these other genres. At times, he assimilates his lyric persona to an elegiac one, claiming to share elegy’s effeminacy and disinterest in politics. Similarly, he draws on philosophical discourse to present himself as too modest for heavy political themes. In both cases, he turns to clothing metaphors to identify the slight persona as a disguise that he may assume or discard as needed. Through this disingenuous self-presentation, he disavows interest in the masculine modes of epic and invective. Read as reflections on Horace’s own infiltration of epic territory, the examined scenes give clues about his motivations: focusing on the characters’ self-preservation amid dangers, he reminds readers of the risks and audacity of his project.

Kenneth Draper is Assistant Professor of Classical Studies at Indiana University.