Non-Western Popular Music

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Amir Hassanpour
Arab Jewish
Arab Jewish Identity
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B01=Tony Langlois
Bart Barendregt
bossa
Bossa Nova
Brazilian Popular Music
Brian Larkin
Category1=Non-Fiction
Category=AVG
Category=AVL
Chega De Saudade
Christine Yano
Christopher Ballantine
contemporary nonwestern music scholarship
COP=United Kingdom
cuban
Cuban Hip Hop
Cuban Rap
cultural identity studies
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Donna A. Buchanan
Dorothea E. Schulz
Enka Singers
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eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethnographic music methods
ethnomusicology research
film
Film Songs
folk
Folk Music
Gage Averill
Galit Saada-Ophir
Garota De Ipanema
Geoffrey Baker
globalisation in music
indian
Indian Film Songs
Japanese Popular Music
Jocelyne Guilbault
John Baily
Judith Ann Herd
Ladysmith Black Mambazo
Language_English
Lara Allen
Lily Kong
Martin Stokes
Music Programmes
music technology impact
Muslim World
Non-Western Popular Music
north
North Indian Folk Music
Note Samba
nova
Nueva Trova
PA=Available
Peter Manuel
political context analysis
Pop Star
Price_€100 and above
PS=Active
rap
russian
Russian Rock
Scott Marcus
softlaunch
songs
Stephen Blum
Stephen Mamula
Suzel Ana Reily
Szu-Wei Chen
Ted Swedenburg
Thomas Turino
Tom Jobim
Vice Versa
Wai-Chung Ho
Wim van Zanten
Yngvar B. Steinholt
Young Man

Product details

  • ISBN 9780754629849
  • Weight: 1450g
  • Dimensions: 169 x 244mm
  • Publication Date: 28 Jan 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This collection provides readers with a diverse and contemporary overview of research in the field. Drawing upon scholarly writing from a range of disciplines and approaches, it provides case studies from a wide range of 'non Western' musical contexts. In so doing the volume attends to the central themes that have emerged in this area of popular music studies; cultural politics, identity and the role of technology. This collection does not seek to establish a new theoretical paradigm, but being primarily aimed at researchers and students, offers as comprehensive a view of the research that has been carried out over the last few decades as possible, given the global scope of the subject. Inevitably, the experience of globalisation itself runs through many of the contributions, not only because musicians find themselves part of an immense flow of international culture, technology and finance, but also because Western scholarship can also be considered an aspect of such a flow. The articles selected for the volume take different disciplinary approaches; many are close ethnographic descriptions of musical practices whilst others take a more historical view of a musical 'scene' or even a single musician. Some essays consider the effects of emerging technologies upon the production, dissemination and consumption of music, whilst the political context is central to other authors. The collection as a whole serves as a resource for those who wish to be better acquainted with the diversity of research that has been carried out into non-western pop, whilst also highlighting the broader themes that have, so far, shaped academic approaches to the subject.
Tony Langlois is Lecturer at Mary Immaculate College, University of Limerick, Ireland