Nonfiction Sound and Story for Film and Video

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A01=Amy DeLouise
A01=Cheryl Ottenritter
AAF
accessibility in audiovisual media
AIFF File
Ambisonic Recordings
Audio Description
Audio Post
audio storytelling techniques
Author_Amy DeLouise
Author_Cheryl Ottenritter
Category=ATF
Category=ATJ
Category=KNTP2
Category=UYU
DMCA Takedown
documentary sound editing
Dolby Atmos
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
field recording methods
film experience
Immersive Audio
Immersive Sound
location sound strategies
Main Character
nonfiction media production
Open Back Headphones
Playback
postproduction workflow
Room Tone
Sound Design
sound design for documentary filmmaking
sound workflow
Spatial Audio
Spotting Session
Stem Files
Stock Music
Street View
Sync License
Sync Sound
Vice Versa
video storytelling
Wild Sound
Young Man
Zoom H4n

Product details

  • ISBN 9781138343092
  • Weight: 348g
  • Dimensions: 152 x 229mm
  • Publication Date: 08 Oct 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book guides nonfiction storytellers in the art of creatively and strategically using sound to engage their audience and bring stories to life.

Sound is half of film and video storytelling, and yet its importance is often overlooked until a post-production emergency arises. Written by two experienced creators—one a seasoned nonfiction producer/director with a background in music, and one a sound designer who owns a well-regarded mix studio—this book teaches nonfiction producers, filmmakers, and branded content creators how to reimagine their storytelling by improving sound workflow from field to post. In addition to real-world examples from the authors’ own experiences, interviews with and examples from industry professionals across many genres of nonfiction production are included throughout.

Written in a conversational style, the book pinpoints practical topics and considerations like 360 video and viewer accessibility. As such, it is a vital point of reference for all nonfiction filmmakers, directors, and producers, or anyone wanting to learn how to improve their storytelling.

An accompanying Companion Website offers listening exercises, production sound layout diagrams, templates, and other resources.

Amy DeLouise is an experienced nonfiction digital storyteller and video director/producer. With more than 400 productions to her credit, Amy is a leader in the field of short form digital storytelling for large surfaces at live events as well as small screens for mobile, web and social platforms. Amy is a sought-after speaker at international media conferences and teaches popular online courses on LinkedIn Learning. She is the author of The Producer’s Playbook: Real People on Camera (Routledge, 2016). For more resources and tips from Amy, visit her website at www.amydelouise.com.

Cheryl Ottenritter, senior mixer and founder of Ott House Audio, has over twenty years of audio experience. Cheryl has worked on projects for PBS, National Geographic, Smithsonian Channel, TV One and Discovery Channel, has mixed for Dolby Atmos® theatrical delivery, and has been part of the 360 and VR revolution, mastering the latest from tetrahedral, binaural and ambisonic sources. Over the past two decades, Cheryl has been making a name for herself in the industry, and has been featured in tech podcasts, in publications, and keynotes at prestigious events like NAB Show, Editors Retreat, and GV Expo. Learn more at www.otthouseaudio.com.

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