North African Cinema in a Global Context

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Algerian Male
Algerian Woman
Ali Zaoua
Ali's Dream
Ali's Mother
alis
Ali’s Mother
allegories
arab
bab
Bab El
Bab El Oued
Bab El Oued City
Category=ATF
Category=GTM
Category=JBCT
Category=NH
contemporary Maghreb film analysis
Dr Najat
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eq_history
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Farida Benlyazid
Francophone African films
French Funding
gender representation
harem
Le Grand Voyage
Maghreb film studies
Merzak Allouache
moroccan
Moroccan Audience
Moroccan Cinema
mother
Muslim World
Nabil Ayouch
national
North African Cinema
oued
political repression art
postcolonial cinema
Promoting Cultural Diversity
Small National Cinemas
social realism North Africa
Street Children
Teen Pic
traditional
Traditional Harem
Tunisian Male
Young Man

Product details

  • ISBN 9780415460323
  • Weight: 380g
  • Dimensions: 156 x 234mm
  • Publication Date: 24 Jan 2008
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book provides insight into contemporary film production from North African countries referred to as the Maghreb. Focus is both on the socio-economic context of film production, which suffers some of the same setbacks and obstacles as other regions of the developing world, and on the thematic details treated in the films themselves. The book delves into ideas such as gender and sexuality, national identity, political conflict, and issues of post and neo-colonial relationships in the context of globalisation.

The book includes close analyses of individual films which at times show the taboo subjects of sexual and substance abuse, the lives of street children, and prostitution, as well as upper-class contradictions between an increasingly global position of privilege while in the midst of a traditionalist society. Others chapters focus on an individual filmmakers’ world view as depicted in representations of contemporary daily life of the average Tunisian, Moroccan or Algerian. The book provides an understanding of day to day existence in Morocco, Tunisia, and Algeria as depicted by local artists. The theoretical questions raised stretch beyond this topic to touch on ‘third world’ art and film production, and production in conditions of political repression and rigid moral conservatism.

Andrea Khalil is a professor of Comparative Literature at Queens College, CUNY and of French and Francophone Studies at the Graduate Center, CUNY. She is the author of The Arab Avant-Garde: Experiments in North African Art and Literature.