Northborough Sonnets
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19th Century
A01=John Clare
Author_John Clare
Category=DCF
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eq_biography-true-stories
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eq_poetry
Product details
- ISBN 9781857541984
- Weight: 203g
- Dimensions: 130 x 200mm
- Publication Date: 22 Jun 1995
- Publisher: Carcanet Press Ltd
- Publication City/Country: GB
- Product Form: Paperback
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John Clare was an assiduous practitioner of the sonnet form at all periods of his poetic career. The sonnets he produced in the last few years before his institutionalisation in 1837, fist at High Beech and then in Northampton General Asylum, are of particular interest, since he exploited the inherent brevity of the form to express a simultaneous precision of observation and starkness of vision that he rarely achieved either before or after.
The present volume prints all the sonnets that Clare wrote at Northborough between 1832 and 1837 with the exception of those included in The Midsummer Cushion and The Rural Muse, both also available from Carcanet. Northborough Sonnets allows the reader to trace the development of Clare's handling of the form in this period. They constitute fascinating vignettes of rural life in the early nineteenth century and the record of a unique poetic sensibility. They are accompanied by an introduction, informative notes, and a glossary of dialect and unfamiliar words.
The present volume prints all the sonnets that Clare wrote at Northborough between 1832 and 1837 with the exception of those included in The Midsummer Cushion and The Rural Muse, both also available from Carcanet. Northborough Sonnets allows the reader to trace the development of Clare's handling of the form in this period. They constitute fascinating vignettes of rural life in the early nineteenth century and the record of a unique poetic sensibility. They are accompanied by an introduction, informative notes, and a glossary of dialect and unfamiliar words.
John Clare (1793-1864): Born the son of a thresher at Helpston, Northamptonshire, John Clare is a rural poet and story teller. He is a poet of spiritual originality, as compelling at his best as Crabbe and Wordsworth as a story teller in verse. He was an assiduous practitioner of the sonnet form at all periods of his poetic career. The sonnets he produced in the last few years before his institutionalisation in 1837, first at High Beech and then in Northampton General Asylum, are of particular interest, since he exploited the inherent brevity of the form to express a simultaneous precision of observation and starkness of vision that he rarely achieved either before or after.
