Not What I Meant But Anyway

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A01=Andres Jaque
A01=Revital Cohen
A01=Tuur Van Balen
Author_Andres Jaque
Author_Revital Cohen
Author_Tuur Van Balen
Category=AB
Category=AM
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction

Product details

  • ISBN 9781941332719
  • Weight: 852g
  • Dimensions: 164 x 215mm
  • Publication Date: 15 Nov 2022
  • Publisher: Columbia Books on Architecture and the City
  • Publication City/Country: US
  • Product Form: Paperback
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From producing sterile goldfish to choreographing the factory assembly line, Revital Cohen and Tuur Van Balen's work could be thought of as situated—that is to say, it is performed within particular networks. These networks—whether connecting raw materials, mythic conditions, animal genetics, constructions of uncertainty, or colonial inheritances—form a point of departure from which to think of friction, entanglement, porousness, reflection, and self-implication. Not What I Meant But Anyway reveals the methods and processes behind Cohen and Van Balen’s work and working, prioritizing long and multidimensional research and production over its eventual outcomes. Intermingling conversations between the artists on living and working together, their generated ephemera, and a series of external reflections, the book hints at the intimacies and estrangements inherent to their practice.

With contributions from Daisy Hildyard, Andrés Jaque, Lucia Pietroiusti, and Xiaoyu Weng.
Revital Cohen and Tuur Van Balen (b. 1981, based in London) work across objects, installation, and film to explore processes of production as cultural, personal, and political practices. Their work has been exhibited at the 13th Shanghai Biennale at the Power Station of Art; Palazzo delle Esposizioni, Rome; Walker Art Center, Minneapolis; Philadelphia Museum of Art; The Renaissance Society, Chicago; Serpentine Cinema, London; Fotomuseum Winterthur; Para Site, Hong Kong; Thyssen-Bornemisza Art Contemporary, Vienna; HKW, Berlin; and Congo International Film Festival, Goma, among others. Their work has been featured in many articles, catalogues, and other publications, and is included in the permanent collections of the Museum of Modern Art, New York; Mu.ZEE, Ostend; and M+, Hong Kong.

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