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Not without Madness
Not without Madness
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€67.99
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A01=Fabrizio Della Seta
Age Group_Uncategorized
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aida
alberto mazzucato
aria
assassination
Author_Fabrizio Della Seta
automatic-update
B06=Mark Weir
carlo quinto
Category1=Non-Fiction
Category=AVC
Category=AVGC9
Category=AVLF
composition
COP=United States
creativity
criticism
culture
Delivery_Delivery within 10-20 working days
discourse
drama
emotion
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ernani
exoticism
french revolution
gabriele baldini
history
il trovatore
insanity
instability
interpretation
italy
king duncan
kings
la sonnambula
Language_English
le nozze di figaro
macbeth
madness
melody
mental health
monarchy
murder
music
musicians
musicology
nonfiction
opera
PA=Available
parola scenica
passion
performance
performing arts
Price_€50 to €100
PS=Active
rationality
reason
reception
shakespeare
singers
softlaunch
theater
verdi
Product details
- ISBN 9780226749143
- Weight: 567g
- Dimensions: 17 x 24mm
- Publication Date: 22 Nov 2012
- Publisher: The University of Chicago Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Opera often seems to arouse either irrational enthusiasm or visceral dislike. Such madness, as Goethe wrote, is indispensable in all theater, and yet in practice, sentiment and passion must be balanced by sense and reason. Exploring this tension between madness and reason, "Not without Madness" presents new analytical approaches to thinking about eighteenth - and nineteenth-century opera through the lenses of its historical and cultural contexts. In these twelve essays, Fabrizio Della Seta explores the concept of opera as a dramatic event and an essential moment in the history of theater. Examining the meaning of opera and the devices that produce and transmit this meaning, he looks at the complex verbal, musical, and scenic mechanisms in parts of "La sonnambula", "Ernani", "Aida", "Le nozze di Figaro", "Macbeth", and "Il trovatore". He argues that approaches to the study of opera must address performance, interpretation, composition, reception, and cultural ramifications. Purely musical analysis does not make sense unless we take into account music's dramatic function.
Containing many essays available for the first time in English, Not without Madness bridges recent divisions in opera studies and will attract musicologists, musicians, and opera lovers alike.
Fabrizio Della Seta is professor of music history and musical philology in the Facolta di Musicologia at the University of Pavia in Cremona, Italy. Mark Weir is a lecturer in English and English translation at the University of Naples, L'Orientale.
Not without Madness
€67.99
