Notelets of Filth

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Aemilia Lanyer
Capitalist Heteropatriarchy
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critical race theory
early modern drama analysis
Early Modern Women Writers
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feminist theatre studies
gender and performance
Hate Men
Intersectional Feminist Lens
intersectional feminist pedagogy guide
Intersectional Feminist Praxis
intersectionality in literature
King Richard III
Lanyer's Poems
Lanyer's Salve Deus Rex
Lanyer’s Poems
Lanyer’s Salve Deus Rex
London Theatre Critics
Mount Royal University
Official Twitter Account
Pilate's Wife
Pilate’s Wife
POC
Pre-menstrual Dysphoric Disorder
Privileged Racial Identity
Salve Deus Rex Judaeorum
Shakespeare's Globe
Shakespearean Authority
Shakespeare’s Globe
Site Specific Performance
UK Premiere
UK Stage
West End Production
West End Transfer
women in Renaissance England
Women's Anger
Women’s Anger

Product details

  • ISBN 9780367498290
  • Weight: 400g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This collection of short, accessible essays serves as a supplementary text to Morgan Lloyd Malcolm’s play, Emilia.

Critically acclaimed and beloved by audiences, this innovative and ground-breaking show is a speculative history, an imaginative (re)telling of the life of English Renaissance poet Aemilia Bassano Lanyer. This book features essays by theatre practitioners, activists, and scholars and informed by intersectional feminist, critical race, queer, and postcolonial analyses will enable students and their teachers across secondary school and higher education to consider the play’s major themes from a wide variety of theoretical and interdisciplinary perspectives. This volume explores the current events and cultural contexts that informed the writing and performing of Emilia between 2017 and 2019, various aspects of the professional London productions, critical and audience responses, and best practices for teaching the play to university and secondary school students. It includes a foreword by Emilia playwright Morgan Lloyd Malcolm

This book will be of great interest to students and scholars of theatre, arts activism, feminist literature, and theory.

Laura Kressly (she/her) is a theatre critic, dramaturg, and director. She is co-founder of the Network of Independent Critics. She is currently working on her PhD at the Royal Central School of Speech and Drama, where she is also a visiting lecturer.

Aida Patient (she/her) teaches women’s writing in the Department of English, Languages, and Cultures at Mount Royal University in Canada.

Kimberly A. Williams (she/her) is a teacher, scholar, and activist. She directs the Women’s and Gender Studies Program at Mount Royal University in Canada.