Novelists in Interview

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20th century
A01=John Haffenden
Alice Fell
Anita Brookner
author interviews academic
Author_John Haffenden
Bad Sister
Bloody Chamber
British fiction analysis
British novelists
Category=DSBH
Category=DSK
Cement Garden
contemporary fiction narrative study
creative process
creative writing process
critical debate
cultural context
English fiction
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fabulous
Fairy Tales
function of fiction
Hate Men
History Man
Hotel Du Lac
Infernal Desire Machines
literary criticism
literary interview
literature
Magic Toyshop
Midnight's Children
Midnight’s Children
narrative techniques
Philosopher's Pupil
Philosopher’s Pupil
Ploughman's Lunch
Ploughman’s Lunch
postmodernist
President's Child
President’s Child
realist
Riddley Walker
Somerset Maugham Award
Sufiya Zinobia
Turtle Diary
Tv Adaptation
Tv Quiz Show
twentieth century fiction
twentieth century literature
Vice Versa
Wild Nights
Woman Beware Woman
writers
Young Man

Product details

  • ISBN 9780367336707
  • Weight: 480g
  • Dimensions: 129 x 198mm
  • Publication Date: 18 Oct 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Originally published in 1985, fourteen foremost writers of fiction give detailed accounts of their writings in this absorbing collection by John Haffenden, whom The Sunday Times has applauded for having ‘perfected’ the art of the literary interview. Bringing together discussions with a wide range of authors in Britain at the time, the volume contains interviews with Martin Amis, Malcolm Bradbury, Anita Brookner, Angela Carter, William Golding, Russell Hoban, David Lodge, Ian McEwan, Iris Murdoch, V.S. Pritchett, Salman Rushdie, David Storey, Emma Tennant and Fay Weldon.

John Haffenden questions them about the creative process, about specific works – including Golding’s Rites of Passage, Hoban’s Riddley Walker, Murdoch’s The Philosopher’s Pupil and Rushdie’s Midnight’s Children and Shame – and about the ideas and visions which inform those works. The writers provide lively, fascinating and often definitive responses which offer many insights into the value and function of fiction. The volume also includes discussions of cultural context and of narrative techniques and kinds – realist, postmodernist, fabulous – offering immediate material for critical debate. For all who are interested in twentieth century fiction it is essential reading.

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