O Let Us Howle Some Heavy Note

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A01=Amanda Eubanks Winkler
Author_Amanda Eubanks Winkler
Category=ATD
Category=AVLA
Category=AVLM
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Europe
Medieval to Seventeenth Century
Music
Musicology
Theatre and Drama

Product details

  • ISBN 9780253348050
  • Weight: 476g
  • Dimensions: 156 x 235mm
  • Publication Date: 01 Nov 2006
  • Publisher: Indiana University Press
  • Publication City/Country: US
  • Product Form: Hardback
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In the 17th century, harmonious sounds were thought to represent the well-ordered body of the obedient subject, and, by extension, the well-ordered state; conversely, discordant, unpleasant music represented both those who caused disorder (murderers, drunkards, witches, traitors) and those who suffered from bodily disorders (melancholics, madmen, and madwomen). While these theoretical correspondences seem straightforward, in theatrical practice the musical portrayals of disorderly characters were multivalent and often ambiguous.
O Let Us Howle Some Heavy Note focuses on the various ways that theatrical music represented disorderly subjects—those who presented either a direct or metaphorical threat to the health of the English kingdom in 17th-century England. Using theater music to examine narratives of social history, Winkler demonstrates how music reinscribed and often resisted conservative, political, religious, gender, and social ideologies.

Amanda Eubanks Winkler is Assistant Professor of Fine Arts at Syracuse University. She specializes in early music.

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