O Mother, Where Art Thou?

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A01=Julie Kelso
Analysand's Discourse
Analysand’s Discourse
Author_Julie Kelso
Ben Zvi
Category=DSBB
Category=JBCC
Category=JBSF
Category=NHC
Category=QRA
Category=QRM
Category=QRS
Category=QRVC
Chronicles Narrative
David Jobling
David King
Deuteronomistic History
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Father Son Relationship
Female Genealogy
Feminine Maternal Body
feminist analysis of biblical texts
Feminist Biblical
Feminist Biblical Scholars
Feminist Biblical Studies
feminist literary criticism
gender and scripture
Genealogical Discourse
Hebrew Bible studies
Irigaray's Critique
Irigaray's Work
Irigarayan Reading
Irigaray’s Critique
Irigaray’s Work
Israel's Past
Israel’s Past
Male Imaginary
Masculine Imaginary
Maternal Body
maternal subjectivity
Mother Daughter Relationship
Patrilineal Succession
Psychoanalytic Setting
psychoanalytic theory
silencing women narratives
Son's Story
Son’s Story
Summary Formula

Product details

  • ISBN 9781845533236
  • Weight: 498g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Mar 2008
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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According to Kelso, the Book of Chronicles silences women in specific ways, most radically through their association with maternity. Drawing on the work of two feminist philosophers, Luce Irigaray and Michelle Boulous Walker, she argues that we may discern two principal strategies of silencing women in Chronicles: disavowal and repression of the maternal body. In its simplest form, the silencing of women takes place through both an explicit and implicit strategy of excluding them from the central action. Largely banished from the central action, they are hardly able to contribute to the production of Israel s past. On a more complex level, however, women are most effectively silenced through their association with maternity, because the maternal body is both disavowed and repressed in Chronicles. The association of women with maternity, along with the disavowal and repression of the maternal body as origin of the masculine subject, effects and guarantees the silence of the feminine, enabling man to imagine himself as sole producer of his world. These strategies of silencing the feminine need to be understood in relation to the relative absence of women from the narrative world of Chronicles. Kelso argues that Chronicles depends on the absence and silence of women for its imaginary coherence. This argument is enabled by Irigarayan theory. But more importantly, Kelso suggests that Irigaray also offers us a viable mode (not method) of reading, writing, listening, and speaking as woman (whatever that might mean), in relation to the so-called origins of western culture, specifically the Hebrew Bible or Old Testament. She argues that Irigaray enables a not only rigorous, feminist critique of patriarchy and its many texts, but also, somewhat more charitably, a mode of reading that enables women to read the past differently, seeking out what remains to be discovered, especially the forgotten future in the past.

Julie Kelso is Honorary Research Advisor for the Centre for the Research on Women, Gender, Culture and Social Change in the School of English, Media Studies and Art History at the University of Queensland.

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