Objects of Authority

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13th Century BCE
A01=Jakub Stejskal
Acheulean handaxes
Aesthetic Analysis
aesthetic archaeology
Aesthetic Artefacts
aesthetic judgment in ancient societies
aesthetic objects
aesthetic status
Age Group_Uncategorized
Age Group_Uncategorized
Alien Aesthetics
art anthropology
Artefact Category
artifacts
Assyrian statues
Author_Jakub Stejskal
automatic-update
Category1=Non-Fiction
Category=AB
Category=HPN
Category=QDTN
Collective Style
contextualist aesthetics
COP=United Kingdom
cross-cultural aesthetics
Cycladic marble figures
David Summers
Delivery_Delivery within 10-20 working days
Droplet Probe
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Evaluative Engagements
Figurative Content
form
formalist aesthetics
Gell's Eyes
Gell’s Eyes
Getty Museum
image format theory
Image Format's Visibility
Image Vehicle
Instrumental Features
Instrumental Structures
Jakub Stejskal
Language_English
Late Gothic monochrome wooden sculptures
Ledger Drawings
material culture analysis
medium
Ninth Century BCE
non-Western art philosophy
PA=Available
Painterly Finish
postformalism
postformalist aesthetic
Price_€20 to €50
PS=Active
remote cultures
remote objects
Remote Observer
Rock Art
Shield's Authority
Shield’s Authority
Soap Bar
softlaunch
split representation
universal style
vertical bilateral symmetry
visual culture theory
Whitney Davis

Product details

  • ISBN 9781032100500
  • Weight: 250g
  • Dimensions: 152 x 229mm
  • Publication Date: 26 Aug 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Is the celebrated elegance of Cycladic marble figurines an effect their Early Bronze Age producers intended? Can one adequately appreciate an Assyrian regal statue described by a cuneiform inscription as beautiful? What to make of the apparent aesthetic richness of the traditional cultures of Melanesia, which, however, engage in virtually no recognizable aesthetic discourse? Questions such as these have been formulated and discussed by scholars of remote cultures against the backdrop of a general scepticism about the prospects of escaping the conditioning of one’s own aesthetic culture and attuning to the norms of a remote one. This book makes a radical move: it treats the remote observers’ lack of aesthetic insight not as a hindrance to aesthetic analysis, but as a condition requiring an aesthetic theory that would make room for an aesthetic analysis independent of the model of competent aesthetic judgement or appreciation.

Objects of Authority represents a rare effort at bringing together methods and concepts that are often addressed by separate disciplines. It will appeal to scholars and advanced students working on philosophical, art-historical, and anthropological theories of visual art and material culture.

Jakub Stejskal is a MASH Junior research group leader at the Department of Art History, Masaryk University. Previously, he held fellowship positions at eikones (University of Basel) and Freie Universität Berlin. His recent work has appeared in Critical Inquiry, Journal of Aesthetics and Art Criticism, British Journal of Aesthetics, and RES: Anthropology and Aesthetics. He is also an associate editor of the academic journal Estetika.

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