Observing Film Art

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academic legacy
aesthetics of cinema
analytical methodology
blog readership
Bordwell and Formalism
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Champion of Film Art
classical Hollywood cinema
cognitivism
collaborators
communications
communications studies
contemporary theory
critical essays
critical perspectives
cultural studies
David Bordwell
edited volume
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eq_non-fiction
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film
film aesthetics
film analysis
film criticism
film critics
film education
film history
film scholarship
film studies
film theory
filmmakers
formalism
former students
forthcoming
global textbooks
historical poetics
historiography
History of Cognitive Film Theory
In the Trenches
intellectual legacy
interpretive frameworks
Janet Staiger
Kristin Thompson
media
media studies
Narration in the Fiction Film
narrative structure
narrative theory
Pattern in the Fiction Film
pedagogy
philosophical approaches to film
ProblemSolution Model
scholarly influence
scholarly tribute
The Classical Hollywood Cinema
theoretical debates

Product details

  • ISBN 9781978841376
  • Dimensions: 156 x 235mm
  • Publication Date: 08 Dec 2026
  • Publisher: Rutgers University Press
  • Publication City/Country: US
  • Product Form: Paperback
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When David Bordwell died in 2024, he left behind a legacy of film scholarship and criticism whose influence is unmatched. Co-author of a pair of textbooks adopted across the globe and the main force behind a blog read by thousands, Bordwell has influenced generations of film students, filmmakers, and film critics. Observing Film Art examines the breadth of Bordwell's work through the perspectives of those who knew him best, collaborators, former students, and critics among them. This is the first collection devoted to the work of Bordwell, and it gives equal attention to each facet of his prodigious scholarship, structured to highlight his interest in theory, history, and analysis and criticism. The cornerstones of his approach to film study, including formalism, cognitivism, and historical poetics, are all examined in detail, as are key works, including The Classical Hollywood Cinema (coauthored with Kristin Thompson and Janet Staiger) and Narration in the Fiction Film.

Charlie Keil is a professor in the Cinema Studies Institute and the Department of History at the University of Toronto in Canada, where he also serves as Principal of Innis College. He has published eight books, the most recent being The Oxford Handbook of Silent Cinema, coedited with Rob King.

Murray Smith is a professor of philosophy, art, and film and Director of the Aesthetics Research Centre at the University of Kent in the UK. He has published widely on film, art, and aesthetics, including most recently Film, Art, and the Third Culture: A Naturalized Aesthetics of Film, Trainspotting, and Engaging Characters: Fiction, Emotion, and the Cinema.