Occult Imagination in Britain, 1875-1947

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Abdul Baha
Andrew Radford
Aren Roukema
British cultural history
Caroline Tully
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Celtic Revival
Clare Button
Contemporary Society
Dennis Denisoff
Devil's Tor
Devil’s Tor
Edinburgh Lodge
Elsa Richardson
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eq_biography-true-stories
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eq_mind-body-spirit
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esoteric spirituality
Familial Poverty
Ghost Land
Golden Dawn
Haunted Woman
hoomi
Irish Literary Revival
Jake Poller
Jiddu Krishnamurti
koot
Koot Hoomi
Massimo Introvigne
Master Morya
Michael Shaw
Mummy Portraits
Nicholas Daly
Nick Freeman
Occult Hierarchy
Occult Periodicals
Occult Review
Occult Revival
occultism and modernity research
Paul Gauguin
Pioneering Process
psychoanalysis and occult
revival
ritual magic practices
Scottish Home Rule
Scottish Lodge
Sf Mode
Steven J. Sutcliffe
supernatural phenomena studies
theosophical movement
Winged Bull
Young Man

Product details

  • ISBN 9780367885069
  • Weight: 550g
  • Dimensions: 152 x 229mm
  • Publication Date: 12 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Between 1875 and 1947, a period bookended, respectively, by the founding of the Theosophical Society and the death of notorious occultist celebrity Aleister Crowley, Britain experienced an unparalleled efflorescence of engagement with unusual occult schema and supernatural phenomena such as astral travel, ritual magic, and reincarnationism. Reflecting the signal array of responses by authors, artists, actors, impresarios and popular entertainers to questions of esoteric spirituality and belief, this interdisciplinary collection demonstrates the enormous interest in the occult during a time typically associated with the rise of secularization and scientific innovation. The contributors describe how the occult realm functions as a turbulent conceptual and affective space, shifting between poles of faith and doubt, the sacrosanct and the profane, the endemic and the exotic, the forensic and the fetishistic. Here, occultism emerges as a practice and epistemology that decisively shapes the literary enterprises of writers such as Dion Fortune and Arthur Machen, artists such as Pamela Colman Smith, and revivalists such as Rolf Gardiner

Christine C. Ferguson is Senior Lecturer in English in the School of Criticial Studies and Andrew Radford is Lecturer in English in the School of Critical Studies at the University of Glasgow, UK.