Of Gods, Gifts and Ghosts

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A01=Terence Heng
Author_Terence Heng
Bukit Brown
Bukit Brown Cemetery
Category=JBSD
Category=JHB
Chinese Popular Religion
Chinese religion
Chinese's religion practices
City's Central Business District
City’s Central Business District
deities
Diaspora
Diasporic Ethnic Identities
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnicity
Ghosts
Gifts
Gods
HDB Flat
Hell Money
Hungry Ghost Festival
Jade Emperor
Marina Bay Sands
Material Proxies
Migratory Sea
Nine Emperor Gods Festival
Paper Talismans
re-purposed spaces
remembrance
sacred
Sacred Space
shrine
Singapore
Sintua
Social Dead
social networks
Spirit Altars
spirit mediums
spiritual
Spiritual Capital
Spiritual imagination
Spiritual World
Spiritualist Taoism
Sun Wukong
Tang-ki's
Tang-ki’s
the netherworld
urban
Vice Versa
visual
Visual Essay
Visual monograph
Visual sociology
Void Decks
Wooden Head
Worship
Yew Keng Siu Sark
Zhong Kui

Product details

  • ISBN 9781138347342
  • Weight: 453g
  • Dimensions: 203 x 254mm
  • Publication Date: 03 Dec 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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How do individuals inscribe their spiritual identities and diasporic ethnicities in the city? Through a series of sociological and photographic essays, Terence Heng maps the various rituals, collectives, individuals and events that characterise Chinese religion practices in Singapore. From spirit mediums to the Hungry Ghost Festival, each chapter engages with the social, the spatial and the ephemeral, and in so doing it will explore the significance and relevance of Chinese religion in a secular nation-state; reveal the strategies and tactics used by diasporic individuals to perform and retain their identities; uncover the importance of flow and fluidity in the making of sacred space; and evidence the value and efficacy of the use of photographs in social research. Of Gods, Gifts and Ghosts is a ground-breaking exploration into the intersections between visual sociology, cultural geography and creative photographic practice. A visual monograph that gives equal importance to image and text, it interrogates the tensions between sacred and profane, official and unofficial, state and individual, physical and spiritual, peeling away the myriad layers of the spiritual imagination.

Terence Heng is a Senior Lecturer in Sociology at the University of Liverpool. He is the author of Visual Methods in the Field: Photography for the Social Sciences (Routledge, 2016), and his work has been featured in Area, The Sociological Review, Cultural Geographies and Visual Communication. He is the 2015 winner of The Sociological Review's Prize for Outstanding Scholarship.

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