Oktoberfest in Brazil

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A01=Audrey Ricke
anthropology
assimilation
Author_Audrey Ricke
Azorean cultural heritage
Bavaria
Black Brazilians
Brazilian history
Carnaval
Category=JHMC
dancing
Dom Pedro II
economy of the aesthetics
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnicity
ethnography
ethnoscapes
Fachwerk
German Brazilian identities
German immigration
German music
gingerbread style
immigration
Itajai Valley
Japanese Brazilians
multivocality
parafolclorica dances
Polkas
Portuguese
Roman Catholics
Santa Catarina
Schutzenvereine
sensescapes
slavery
South America
southern Brazil
Southern Cone
transnational identities
transnational ties
What is jogo de cintura?
Where is Blumenau?
Xuxa

Product details

  • ISBN 9780817360900
  • Weight: 272g
  • Dimensions: 152 x 229mm
  • Publication Date: 20 Jun 2023
  • Publisher: The University of Alabama Press
  • Publication City/Country: US
  • Product Form: Paperback
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Oktoberfest in Brazil: Domestic Tourism, Sensescapes, and German Brazilian Identity is one of the first ethnographies to analyze the tourism industry based on German cultural heritage in southern Brazil. Southern Brazil’s booming domestic tourism industry draws more than 500,000 people to events such as the Oktoberfest in Blumenau. Ricke investigates domestic tourism as sensescapes, focusing on the multiple and layered meanings associated with tourism’s sensory experiences and interactions. The author also introduces the “economy of aesthetics” as a new framework to capture how the sensescapes associated with domestic tourism are intertwined in the negotiation of ethnic, national, and transnational identities. These sensescapes also intersect with discourses on class and race, which are examined as well.

Oktoberfest in Brazil leads readers on a tour through German Brazilian home gardens, folk dance performances, and the largest Oktoberfest in Brazil. These sensory-rich spaces of interaction provide access to different perspectives and types of identity negotiation at multiple levels from the local to the transnational. Ricke illustrates how the emotions and sensory experiences of these sensescapes associated with German cultural heritage function as a means for German Brazilians to negotiate senses of belonging as Brazilians as well as their ethnic and transnational identities.

This book also provides historical and contemporary insights into the politics of citizenship associated with cultural heritage. As politics become more polarized, the need to analyze different ways of communicating through sensory experiences increases. The unique contribution of the economy of aesthetics framework is its ability to capture the influential power of sensory experience in the negotiation of identity and senses of belonging and citizenship more broadly. It provides new insights into how and why some sensory experiences within domestic tourism foster belonging and identity while other experiences reinforce social distinctions and national divisions.
Audrey Ricke is senior lecturer in anthropology at Indiana University–Purdue University, Indianapolis.

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