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Old Age, Masculinity, and Early Modern Drama
Old Age, Masculinity, and Early Modern Drama
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A01=Anthony Ellis
amans
andrea
Andrea Calmo
Angelo Beolco
Arte Della Guerra
Author_Anthony Ellis
Bernardo Dovizi
Bernardo Dovizi Da Bibbiena
calmo
Category=DS
comic old man character evolution
commedia
commedia dell'arte analysis
Della
Early Modern
early modern medical theories
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Gabriele Zerbi
gender and ageing
giorgio
Giorgio Padoan
Girolamo Priuli
Grande Dizionario
Hysterica Passio
intergenerational conflict
Jonson's Alchemist
Jonson’s Alchemist
King Henry III
La Commedia
Lo Specchio
Melancholy Adust
padoan
Recueil Fossard
regimen
Regimen Sanitatis Salernitanum
Renaissance theatre studies
Resumptive Regimen
salernitanum
sanitatis
Sel
senescence representation
senex
Senex Amans
Son Orazio
Titus Livius
Young Man
Product details
- ISBN 9780754665786
- Weight: 544g
- Dimensions: 156 x 234mm
- Publication Date: 05 Aug 2009
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
This first book-length study to trace the evolution of the comic old man in Italian and English Renaissance comedy shows how English dramatists adopted and reimagined an Italian model to reflect native concerns about and attitudes toward growing old. Anthony Ellis provides an in-depth study of the comic old man in the erudite comedy of sixteenth-century Florence; the character's parallel development in early modern Venice, including the commedia dell'arte; and, along with a consideration of Anglo-Italian intertextuality, the character's subsequent flourishing on the Elizabethan and Jacobean stage. In outlining the character's development, Ellis identifies and describes the physical and behavioral characteristics of the comic old man and situates these traits within early modern society by considering prevailing medical theories, sexual myths, and intergenerational conflict over political and economic circumstances. The plays examined include Italian dramas by Bernardo Dovizi da Bibbiena, Niccolò Machiavelli, Donato Giannotti, Lorenzino de' Medici, Andrea Calmo, and Flaminio Scala, and English works by William Shakespeare, Ben Jonson, and Thomas Dekker, along with Middleton, Rowley, and Heywood's The Old Law. Besides providing insight into stage representations of aging, this book illuminates how early modern people conceived of and responded to the experience of growing old and its social, economic, and physical challenges.
Anthony Ellis is an associate professor of English at Western Michigan University, USA, where he teaches Shakespeare and other Renaissance literature. He serves as associate editor of the journal Comparative Drama.
Old Age, Masculinity, and Early Modern Drama
€198.40
