On Photography

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A01=Diarmuid Costello
aesthetics
Age Group_Uncategorized
Age Group_Uncategorized
Alfred Stieglitz
analogue image analysis
Analogue Photography
Andre Bazin
art
art theory research
Author_Diarmuid Costello
Autographic Arts
automatic-update
Basic Aesthetic Principle
Berenice Abbott
Category1=Non-Fiction
Category=ABA
Category=AJ
Category=HPN
Category=QDTN
Combination Printing
COP=United Kingdom
Counterfactual Dependency
Courtesy Fraenkel Gallery
Delivery_Pre-order
Edward Weston
Egocentric Information
Elizabeth Eastlake
epistemology of images
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Equivalence Thesis
Gelatin Silver Print
Goodman's Sense
Goodman’s Sense
Hopkins's Account
Hopkins’s Account
Kendall Walton
Language_English
Laszlo Moholy-Nagy
Lee Friedlander
Light Image
Light Sensitive Surface
PA=Temporarily unavailable
Patrick Maynard
Paul Strand
Peter Henry Emerson
philosophy of photographic representation
Photographic Agency
Photographic Art
Photographic Event
photographic realism
photography
Photography's Standing
Photography’s Standing
Price_€100 and above
PS=Active
Pure Photography
Red Safety Light
Roger Scruton
sceptical orthodoxy
Scruton's Argument
Scruton’s Argument
softlaunch
Sontag's Book
Sontag’s Book
Stanley Cavell
Straight Print
Transparency Thesis
visual epistemology
visual studies
Walker Evans Archive
Walton's Account
Walton’s Account
Wolfgang Tillmans

Product details

  • ISBN 9780415684705
  • Weight: 520g
  • Dimensions: 138 x 216mm
  • Publication Date: 25 Sep 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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What is photography? Is it a source of knowledge or an art? Many have said the former because it records the world automatically, others the latter because it expresses human subjectivity. Can photography be both or must we choose?

In On Photography: A Philosophical Inquiry, Diarmuid Costello examines these fascinating questions and more, drawing on images by Alfred Stieglitz, Berenice Abbott, Paul Strand, Lee Friedlander, James Welling, and Wolfgang Tillmans, among others, and the writings of Elizabeth Eastlake, Peter Henry Emerson, Edward Weston, Siegfried Kracauer, André Bazin, and Stanley Cavell. This sets the scene for the contemporary stand-off between "sceptical" and "non-sceptical" Orthodoxy in the work of Roger Scruton and Kendall Walton, and a New Theory of Photography taking its cue from László Moholy-Nagy and Patrick Maynard.

Written in a clear and engaging style, On Photography is essential reading for anyone interested in the philosophy of photography, aesthetics, art, and visual studies.

Diarmuid Costello is an Associate Professor of Philosophy and Co-Director of the Centre for Research in Philosophy, Literature and the Arts at the University of Warwick, UK.

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