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On the Art of the No Drama
On the Art of the No Drama
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Acting
Aesthetics
Ambiguity
Aoi no Ue
Aoi no Ue (play)
Aristotle
Ariwara no Narihira
Arthur Waley
Artistic director
Ashikaga Yoshimitsu
Atsumori (play)
Buddhism
Bugaku
Calligraphy
Career
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Chanter
Character (arts)
Child actor
Cognition
Columbia University Press
Consciousness
Costume
Criticism
D. T. Suzuki
Dance
Dengaku
Dramatic theory
Entertainment
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Gentleness
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Hakama
Illustration
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Iwanami Shoten
Japanese literature
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Kan'ami
Kouta
Kusemai
Learning
Lotus Sutra
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Music Is
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Ono no Komachi
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Preface
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Sarugaku
Shizuka
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Song and Dance
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The Other Hand
The Tale of Genji
The Tale of the Heike
The Various
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Tranquillity
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Ukifune
Writing
Product details
- ISBN 9780691101545
- Weight: 369g
- Dimensions: 127 x 203mm
- Publication Date: 21 Feb 1984
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Paperback
This annotated translation is the first systematic rendering into any Western language of the nine major treatises on the art of the Japanese No theater by Zeami Motokivo (1363-1443). Zeami, who transformed the No from a country entertainment into a vehicle for profound theatrical and philosophical experience, was a brilliant actor himself, and his treatises touch on every aspect of the theater of his time. His theories, mixing philosophical and practical insights, often seem strikingly contemporary. Since their discovery early in this century. these secret treatises have been considered among the most valuable and representative documents in the history of Japanese aesthetics. They discuss subjects from the art of the playwright to the reciprocal nature of the relationship between performer and audience.
J. Thomas Rimer, Professor Emeritus of Japanese Literature, Theatre, and Art at the University of Pittsburgh, has written widely on Japanese culture. Yamazaki Masakazu, Professor Emeritus at Osaka University, is an award-winning playwright whose collected works have been translated into several languages.
On the Art of the No Drama
€80.99
