On the Record

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adapting to digital publication trends
advice for aspiring music critics
advice from top music writers
album reviews
albums
alt-weeklies
Author_Mike Hilleary
balancing passion and professionalism
behind the scenes of music media
breaking into the media industry
building credibility as a critic
careers in arts journalism
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challenges of music journalism today
changing landscape of pop culture writing
creative nonfiction in music journalism
critics and criticism
developing a writer's voice
digital era of music writing
digital medi
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ethics in cultural criticism
evolution of music magazines
exploring diversity in music criticism
future of arts and entertainment writing
how to be a music journalist
how to become a music journalist
how to pitch to magazines
how to sustain a writing career
impact of online criticism on artists
insights from professional critics
interviews
interviews with famous music writers
journalism career development
lessons from veteran journalists
magazines
media transformations and music culture
modern voices in music criticism
music criticism
music criticism careers
music industry
music journalism
music journalist oral histories
music journalists
music publications
music writing mentorship
navigating modern journalism
pathways into entertainment journalism
print vs. online media evolution
professional insight into creative writing careers
records
storytelling in music coverage
techniques for interviewing musicians
the art of the interview
understanding the music industry through journalism
websites
writing about music
writing about music professionally
writing features and artist profiles
writing for culture publications
writing for Rolling Stone or Pitchfork

Product details

  • ISBN 9781625345387
  • Weight: 378g
  • Dimensions: 152 x 228mm
  • Publication Date: 25 Sep 2020
  • Publisher: University of Massachusetts Press
  • Publication City/Country: US
  • Product Form: Paperback
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Rolling Stone, Creem, the Village Voice, SPIN, Billboard, Stereogum, Pitchfork. How did the music journalists who write for these popular publications break into the business? How have they honed their writing and interviewing techniques? How have they managed to thrive amid major changes in the industry, as print magazines have declined and digital publications have emerged? What does it take to turn a love of music into a professional writing career?

Bringing together interviews from an impressive roster of over fifty music writers, Mike Hilleary offers up an engaging and wide-reaching examination of the past and potential future of music journalism. This accessible oral history contains professional insights into journalists' craft and purpose, practical advice, and essential life lessons from a diverse cast of music writers -- ranging from long-respected veterans of the field such as Rob Sheffield, Jessica Hopper, Ann Powers, and Chuck Klosterman to must-read modern voices including Amanda Petrusich, Hanif Abdurraqib, Lindsay Zoladz, and Jayson Greene. Honest and absorbing, On the Record will educate and enlighten anyone who wants to write about music, or anyone who wants a better understanding about those who do.

Mike Hilleary is a freelance music and culture writer whose work has been featured in GQ, Pitchfork, FLOOD, Vanity Fair, Under the Radar, Paste, Filter, Interview, and Alarm.

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