A01=Lauren Mendelsohn-Bass
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art book
art exhibition
art inspired by cinema
artist
Author_Lauren Mendelsohn-Bass
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Category1=Non-Fiction
Category=AGB
cinematic art
contemporary artist
contemporary figurative painting
COP=United Kingdom
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dream world aesthetic
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figurative
figurative art
hyper-realistic art style
hyperrealism
LA artist
Language_English
los angeles painters
monochromatic portraiture
monograph
narrative art collections
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painter
painting
pop culture in art
Price_€20 to €50
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softlaunch
vintage advertisements
vivid colors
Product details
- ISBN 9780998748481
- Dimensions: 215 x 279mm
- Publication Date: 22 Jun 2023
- Publisher: Artvoices Art Books
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
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The book "On the Verge of Domestication" by Los Angeles-based artist Lauren-Mendelsohn-Bass feels uniquely, passionately a part of L.A., itself. Perhaps that focus is due to the strong noir style of her figurative paintings. Film noir is deeply embedded in the culture of the City of Angels, and her art, with its noir narrative focus, is equally emblematic of the artist’s hometown. Guilty pleasures are portrayed in a vibrant world of bold imagery. Her work delves into society’s complex emotions around what we desire, and more specifically, the mass marketed idea of desirability in lifestyle, perception, physical characteristics, conspicuous consumption and more. Luscious color and alluring imagery is expertly depicted with great detail in order to seduce the senses. The artist wields realism as a means to expose the lack of reality in socially constructed norms. Taking a cue from the psychological drama of Film Noir, Lauren Mendelsohn-Bass weaves her own narrative through the painted word. Her emotional thrillers are stylistic and keen in plot lines that reveal the subtext of life. Her characters are staged in a series of montages, as form and gesture expose the mind’s inner turmoil of daily existence.
Lauren Mendelsohn-Bass is a Los Angeles born painter who received her Bachelor of Arts at the University of California, Los Angeles. Her work takes the viewer on a journey through the word of superficial reality where artificially alluring and nostalgically innocent context marks darker thought, ideas and actions. Playing on the visual tropes of mass marketing and vintage advertisements, her work explores the ways reality is obscured when presented as ostensibly attractive. As popular culture navigates an era of “fake news”, social media, and alternative facts, nothing is as it seems. Her paintings examine today’s culture where truth is fluid; ideas issues and events are routinely reframed to reinforce brand, and even daily life is depicted in a series of perfectly posed, edited and filtered images on social media.
